Women of Modern France (Illustrated): Woman: In all ages and in all countries Vol. 7 (of 10)Thieme, Hugo P. (Hugo Paul)
History
Women of Modern France (Illustrated): Woman: In all ages and in all countries Vol. 7 (of 10)
Thieme, Hugo P. (Hugo Paul)
France -- Social life and customs; Women -- France
Marguerite was less remarkable for what she did than for what she
aspired to do. "She invoked, against the vices and prejudices of her
epoch, those principles of morality and justice, of tolerance and
humanity, which must be the very foundation of all stable society. She
wished to make her brother the protector of the oppressed, the support
of the learned, the crowned apostle of the Renaissance, the promoter
of salutary reforms in the morals of the clergy; in politics, he was
to follow a straight line and methodically advance the accomplishment
of the legitimate ambitions of France."
She expressed the most modern ideas on the rights of woman,
particularly on her relative rights in the married state:
"It is right that man should govern us as our head, but not that he
should abandon us or treat us ill. God has so well ordered both man
and woman, that I think marriage, if it is not abused, one of the most
beautiful and secure estates that can be in this world, and I am sure
that all who are here, no matter what pretense they make, think as
much or more; and as much as man calls himself wiser than woman, so
much the more grievously will he be punished if the fault be on his
side. Those who are overcome by pleasure ought not to call themselves
women any longer, but men, whose honor is but augmented by fury and
concupiscence; for a man who revenges himself upon his enemy and slays
him for a contradiction is esteemed a better companion for so doing;
and the same is true if he love a dozen other women besides his wife;
but the honor of woman has another foundation: it is gentleness,
patience, chastity."
Désiré Nisard says that Marguerite d'Angoulême was the first to write
prose that can be read without the aid of a vocabulary; in verse, she
excels all poets of her time in sympathy and compassion; her poetry
is "a voice which complains--a heart which suffers and which tells us
so." "It is not so much her own deep sentiment that is reflected, but
her emotion, which is both intellectual and sympathetic, volitional
and spontaneous." Her letters were epoch-making; nothing before
her time nor after her (until Madame de Sévigné) can equal them in
precision, purity of language, sincerity and frankness of expression,
passion and religious fervor.
In spite of what may be said to the contrary, her life was an
ideal one, an example of perfect moral beauty and elevation; noble,
generous, refined, pious, and sincere, she possessed qualities which
were indeed rare in her time. She was attacked for her charity, and is
to-day the victim of narrow sectarian and biased devotees. Her act of
renouncing all gorgeous dress, even the robes of gold brocade so much
worn by every princess, in order to give all her money to the poor;
her protection of the needy and persecuted; her court of poets and
scholars; her visits to the sick and stricken; even her untiring love
for her brother and her acts of clemency--all have frequently been
misinterpreted.
Public-domain text, read in full here on John Shaqi.
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