Women of Modern France (Illustrated): Woman: In all ages and in all countries Vol. 7 (of 10)Thieme, Hugo P. (Hugo Paul)
History
Women of Modern France (Illustrated): Woman: In all ages and in all countries Vol. 7 (of 10)
Thieme, Hugo P. (Hugo Paul)
France -- Social life and customs; Women -- France
In Louise Labé--_La Belle Cordière_--we meet a warrior, as well as a
woman of letters. The great movement of the Renaissance, as it swept
northward, invaded Lyons; there Louise Labé endeavored to do what
Ronsard and the Pléiade were doing at Paris. A great part of her youth
she passed in war, wearing man's apparel and assuming the name of
"Captain Loys"; at an early age, she left home with a company of
soldiers passing through Lyons on the way to lay siege to Perpignan,
where she showed pluck, bravery, and skill. Upon her return, she
married a merchant ropemaker, whence her sobriquet--_La Belle
Cordière_.
She soon won a reputation by gathering about her a circle of men, who
complimented her in the most elegant language and read poetry with
her. Science and literature were discussed and the praises of love
sung with passionate, inflamed eloquence. In this circle of congenial
spirits, "she gave rise to doubts as to her virtue." As her husband
was wealthy, she was able to collect an immense library and to
entertain at her pleasure; she could converse in almost any language,
and all travellers stopped at Lyons and called to see her at her
salon. Her writings consisted of sonnets, elegies, and dialogues in
prose; her influence, being too local, is not marked. Her greatest
claim to attention is that she encouraged letters in a city which was
beyond the reach of every literary movement. Such were the women of
the sixteenth century; in no epoch in French history have women played
a greater rôle; art, literature, morals, politics, all were governed
by them. They were active in every phase of life, hunting with men,
taking part in and causing duels, intriguing and initiating intrigues.
"In the midst of battle, while cannon-balls and musket-shots rained
about her, Catherine de' Medici was as brave and unconcerned as the
most valiant of men. Diana of Poitiers was called the most wondrous
woman, the woman of eternal youth, the beautiful huntress; it was
she whom Jean Goujon sculptured, nude and triumphant, embracing with
marble arms a mysterious stag, enamoured like Leda's swan."
Public-domain text, read in full here on John Shaqi.
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