That man went to war was not sufficient proof of his bravery; in addition, he must, upon the smallest pretext, draw his sword, must fight constantly, and especially with adversaries better armed and larger in force; the love of woman was for such men only. Adventure was the fad: it is said of one seigneur that he took pleasure in going every night to a certain corner and, from pure malice, striking with his sword the first person who chanced that way; this unique pastime he continued until he himself was killed. Marriage, until the eighteenth century, was not a union of affection, but merely an alliance between two families and in the interest of both; women, to preserve their identity after marriage, signed their family names. As maturity was reached at the age of twelve, marriage meant simply cohabitation. Until the Revolution, free marriages, or liaisons, were recognized as natural if not legitimate institutions, and the offspring of such unions, who were said to be more numerous than legitimate children, were legitimatized and became heirs simply through recognition by the father. (At first, princes were unwilling to accept, as wives, the natural daughters of kings; however, the Duke of Orleans and the Prince of Conti married the natural daughters of Louis XIV.) As a rule, titles could not be transmitted through females; when a woman married beneath her rank she lost her titles, but they were given to her children. In the seventeenth century, woman's influence was of a nature vastly superior to that exerted by her in the sixteenth century, in that it rendered sacred both her and her honor; but, in spite of the refining restraint of the salon, brutality was still the main characteristic of man. To express beautiful sentiments in the midst of jealousies, rivalries, adventures, complaints, and despair, was the _savoir-vivre_ of the Catherine de' Medici type of elegance brought from Italy in the sixteenth century. This caused the extremes of external fastidiousness and internal grossness to be embodied in the same individual; in the eighteenth century, man was, inwardly as well as outwardly, refined, mild, kind, a friend of pleasure; and therein lies the fundamental difference between the _honnête homme_ of Louis XIV. and the _homme du monde_ of Louis XV. The seventeenth century type of man is midway between that of the sixteenth and eighteenth--more polished and less gross than the former, yet lacking the knowledge and culture of the latter.