Women of the Romance CountriesEffinger, John R. (John Robert)
History
Women of the Romance Countries
Effinger, John R. (John Robert)
Women -- Italy -- History; Women -- Spain -- History
Produced by Chuck Greif, Alison Hadwin and the Online
Distributed Proofreading Team at http://www.pgdp.net
[Illustration: MARIA DE PADILLA
_After the painting by Paul Gervais._]
WOMAN
In all ages and in all countries
WOMEN OF THE ROMANCE COUNTRIES
by
JOHN R. EFFINGER, Ph.D.
_Of the University of Michigan_
THE RITTENHOUSE PRESS
PHILADELPHIA
_Copyrighted at Washington and entered at
Stationers' Hall, London
1907 1908
and printed by arrangement with George Barrie's Sons._
PRINTED IN U. S. A.
PREFACE
No one can deny the influence of woman, which has been a potent factor
in society, directly or indirectly, ever since the days of Mother Eve.
Whether living in Oriental seclusion, or enjoying the freer life of the
Western world, she has always played an important part in the onward
march of events, and exercised a subtle power in all things, great and
small. To appreciate this power properly, and give it a worthy
narrative, is ever a difficult and well-nigh impossible task, at least
for mortal man. Under the most favorable circumstances, the subject is
elusive and difficult of approach, lacking in sequence, and often
shrouded in mystery.
What, then, must have been the task of the author of the present volume,
in essaying to write of the women of Italy and Spain! In neither of
these countries are the people all of the same race, nor do they afford
the development of a constant type for observation or study. Italy, with
its mediaeval chaos, its free cities, and its fast-and-loose allegiance
to the temporal power of the Eternal City, has ever been the despair of
the orderly historian; and Spain, overrun by Goth, by Roman, and by
Moslem host, presents strange contrasts and rare complexities.
Such being the case, this account of the women of the Romance countries
does not attempt to trace in detail their gradual evolution, but rather
to present, in the proper setting, the most conspicuous examples of
their good or evil influence, their bravery or their cowardice, their
loyalty or their infidelity, their learning or their illiteracy, their
intelligence or their ignorance, throughout the succeeding years.
Chroniclers and historians, poets and romancers, have all given valuable
aid in the undertaking, and to them grateful acknowledgment is hereby
made.
JOHN R. EFFINGER.
_University of Michigan._
Part First
Italian Women
Chapter I
The Age of the Countess Matilda of Tuscany
Public-domain text, read in full here on John Shaqi.
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