Women of the Romance Countries (Illustrated): Woman: In all ages and in all countries Vol. 6 (of 10)Effinger, John R. (John Robert)
History
Women of the Romance Countries (Illustrated): Woman: In all ages and in all countries Vol. 6 (of 10)
Effinger, John R. (John Robert)
Women -- Italy -- History; Women -- Spain -- History
consoling her, and, in truth, makes such a spectacle of himself, that
these ladies passing say: "Why should he feel such grief, when he has
not seen her?" He constantly feels the moral force of her influence, and
recounts in the following lines--from the Norton translation--her noble
influence on others:
"...for when she goes her way
Love casts a blight upon all caitiff hearts,
So that their every thought doth freeze and perish.
And who can bear to stay on her to look,
Will noble thing become or else will die.
And when one finds that he may worthy be
To look on her, he doth his virtue prove."
Before we are through with Dante's little book, we seem to feel that
Beatrice must have lived, that she was flesh and blood as we are, and
that she really graced the fair city on the Arno in her time, as the
poet would have us believe. She is pictured in company with other
ladies, upon the street, in social gatherings at the homes of her
friends, in church at her devotions, in tears and laughter, and ever is
she pictured with such love and tenderness that she will remain, as
Professor Norton says, "the loveliest and the most womanly woman of the
Middle Ages--at once absolutely real and truly ideal."
At her death, Dante is disconsolate for a time, and then devotes himself
to study with renewed vigor; and he closes his story of her with the
promise that he will write of her what has never yet been written of any
woman. This anticipates, perhaps, the _Divine Comedy_, which was yet to
be written, wherein Beatrice was his guide through Paradise and where he
accords her a place higher than that of the angels. It may mar the
somewhat idyllic simplicity of this story to add that Dante was married
some years later to Gemma Donati, the daughter of a distinguished
Florentine family, but such was the case. Little is known of her,
however, as Dante never speaks of her; and while there is no reason to
suppose that their union was not a happy one, it is safe to conclude
that it gave him no such spiritual uplift as he had felt from his
youthful passion.
Public-domain text, read in full here on John Shaqi.
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