Women of the Romance Countries (Illustrated): Woman: In all ages and in all countries Vol. 6 (of 10)Effinger, John R. (John Robert)
History
Women of the Romance Countries (Illustrated): Woman: In all ages and in all countries Vol. 6 (of 10)
Effinger, John R. (John Robert)
Women -- Italy -- History; Women -- Spain -- History
conduct was at once an example and a reproach."
Without following it in all its various incidents, it will suffice to
say that this love of Petrarch for Laura, which lasted for so many
years, exerted a powerful influence upon the poet and had much to do in
shaping the character which was to win for him in later times the praise
which Pierre de Nolhac has bestowed upon him in calling him the first
modern man. Petrarch considered unworthy, it is true, the poems and
sonnets which he consecrated to the charms of Laura, and he even
regretted that his fame should rest upon them, when, in his own
estimation, his ponderous works in Latin were of much more consequence.
But, incidental to his passion for Laura, he was led to discuss within
himself the two conceptions of love which were current at that
time,--the mediaeval and monkish conception, based upon a sensual idea
which regarded women as the root of all evil and the source of all sin,
and the modern or secular idea, which is spiritual and may become holy.
In an imaginary conversation with Saint Augustine which Petrarch wrote
to furnish a vehicle for the discussion of these matters, the poet
exclaims that it is the soul--the inborn and celestial goodness--that he
loves, and that he owes all to her who has preserved him from sin and
urged him on to a full development of his powers. The ultimate result of
all this thought and all this reflection upon the nature of the
affections developed the humanity of the man, excited broad interests
within his breast, gave him a wide sympathy, and entitled him to rank as
the first great humanist.
Dante, with his vague and almost mystical adoration of Beatrice, which
was at times a passion almost subjective, is still in the shadow of the
Middle Ages, their gloom is still upon him, and he can see but dimly
into the centuries which are still to come; but his face is glorified by
his vision of the spiritual possibilities of good and noble womanhood.
Petrarch, in the brief interval which has passed, has come out into the
light of a modern world; and there, in the midst of baffled desire, he
is brought face to face with the great thought that though love be human
it has power divine.
CHAPTER VI
WOMEN IN THE EARLY RENAISSANCE
Public-domain text, read in full here on John Shaqi.
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