The migration of the Teutonic peoples had been in great measure
spontaneous, it is true, but the impetus of the avalanche had
undoubtedly been tremendously increased by the irruption of a mysterious
nomad people, the Huns, who broke forth from the steppes of middle Asia
like a hurricane, hurled the Alans to the ground, overpowered the
Ostrogoths, pushed the Visigoths over the Danube into the eastern Roman
Empire, and, occupying the Roman province of Pannonia (Hungary), made it
the centre of an empire which, though loosely connected, extended, more
or less, over the length and breadth of Europe. About the middle of the
fifth century the Huns arose anew from their Pannonian seat, and again
threw Europe in a turmoil. The moving spirit of that commotion of
savagery and barbarity which seemed to shake the three continents known
to antiquity was Attila, called Etzel in the German lays and sagas, the
"scourge of God" (_Godegisel_). His hordes were estimated at more than
half a million warriors. His death was an event of immense political
significance, and appears in the German saga in many romantic forms. The
historian Jordanes relates, after Priscus, that Attila died suddenly of
violence during his bridal night, while lying intoxicated beside his
young wife Ildico (_HildikS_). In the morning his servants found him in
his blood, but without wounds, beside him was the young wife with
downcast eyes, weeping under her veil. The circumstances of his death
were such as to throw suspicion upon the young woman. Ammianus
Marcellinus reported as a fact that "Attila came to his death at night
by the hands of a woman." But the legendists have tried to establish
motives for the deed of violence, and nothing was more natural than the
story that Ildico committed the deed out of revenge for Attila's murder
of her relatives. According to the poet Saxo and the _Quedlinburg
Chronicle_ she avenged the murder of her father.
The famous _Nibelungenlied_, however, in its fundamental Norse form
shapes the story as follows: Attila, the Terror of Europe, is the
consort of the Burgundian princess Hild. He conquers and treacherously
kills her brothers, the Burgundian kings Gundaheri, Godomar, and
Gislahari, sons of Gibica, and afterward meets his death by the hand of
their sister, his wife.
Felix Dahn has immortalized Ildico by his genius, and made her the most
ideal, heroic woman of the Migration period. Reared in the palace of her
father, King Visigast, in the land of the Rugii, she gives her tender
love to Daghar, the son of Dagomuth, King of the Sciri; but a dark cloud
hovers over her young life. Attila has heard of her incomparable beauty,
and is still further aroused by the descriptions of her charms given by
Ellak, his son by a Gothic princess. The Hun resolves upon the
possession of Ildico.
Public-domain text, read in full here on John Shaqi.
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