The theatre of action of this, the second greatest national epic, is the
entire range of the North Sea, with its measureless limits extending
into mythical infinity, with its long coast line and sea-girt isles,
with its Viking ships storm-tossed on the watery roads of all the races.
The North Sea did not limit the sturdiness of the Teutonic seafarers of
the Norse race, just as the Mediterranean did not restrain their energy
and wandering instincts. As the Lombard cycle of sagas reaches out
beyond the confines of the Teutonic world to Constantinople, to Syria,
to Babylon, and to the mythical lands beyond the seas, so the cycle of
the North leads us not only to the Netherlands, the land of the Frisians
and Ditmarsch, but over to Seeland, Normandy, Ireland, even to the
Orkneys, and perchance to Iceland.
And perhaps it may not be amiss, by way of contrast and to show the
opposite poles of the Germanic world, to recount briefly an epic lay of
the Lombard cycle which breathes quite a different atmosphere and
exhibits different colors, geographically and morally speaking, from
those of the North Sea. In the Lombard cycle there is a connection of
the Teutonic cosmos with the fabulous Oriental world. King Ortnit of
_Lamparten_ (Lombardy) wins by a series of stratagems the resplendent
daughter of the heathen king Nachaol, of Muntabur, in Syria, and makes
her his wife. Descriptions of golden armor, magic rings, and rich
treasures of the East betray everywhere the Oriental character of this
Langobard legend.
Public-domain text, read in full here on John Shaqi.
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