More Germanic, though its sources lay entirely in the Byzantine Empire,
is the saga of _Hugdietrich_ with its moral of the all-pervading power
of love. The names of the leading characters especially indicate the
Teutonic setting of the saga. Hugdietrich is King of Constantinople,
and, after the early death of his father, is reared by Duke Berchtung.
At the age of twelve an Oriental age for marriage he consults with his
guardian concerning the choice of a wife. The choice falls upon the fair
maiden Hildeburg, daughter of King Walgund at Salnek (_Saloniki_); but
this princess is confined in a lofty tower, for it has been decided that
she is never to marry. Unlike Danae, the Greek beauty, who is reached in
her solitary tower by the love of the Olympian Zeus in the form of a
golden rain, Hildeburg receives Hugdietrich in a more satisfactory form.
The young king to attain his end disguises himself in the garb of a
maiden with flowing golden hair; he learns feminine arts, among them
that of embroidery, and journeys to Salnek, accompanied by a numerous
retinue. Here he represents himself as Hildegund, the exiled sister of
the King of the Greeks, and is hospitably received by King Walgund. The
false Hildegund quickly gains the favor of the royal couple of Salnek by
her wonderful embroideries in gold and silver; and when her position at
the court is assured, she requests the honor of becoming an attendant
and playmate to Hildeburg. This granted, Hugdietrich is admitted to the
tower of the captive princess. For twelve weeks, Hugdietrich plays his
rôle and teaches his love the art of embroidery, but he is unable longer
to restrain his passion, and he reveals himself to her. His love is
reciprocated, and a blissful year is passed by the loving pair. At this
juncture, Duke Berchtung arrives from Constantinople to conduct
Hildegund home, since the king, her brother, wishes to receive her again
into grace and brotherly affection. Hildeburg is left in painful longing
and sadness. Soon afterward she gives birth to a son, whom she tries to
conceal from the sight of men. One day, however, her mother surprises
her by an unexpected visit; and the frightened nurse lets the babe,
wrapped in silken cloths, down among the bushes of the ditch surrounding
the castle. When, after the departure of the queen, the child is
searched for, he is not to be found. A wolf has carried him away as food
for his young. But King Walgund, who, as it happens, is out hunting,
kills the wolves, and finds the child grievously weeping. The king takes
him under his mantle and brings him to his queen, calling him
Wolfdietrich, as he had found him among the wolves. Hildeburg, too, sees
him, and recognizes him as her own child by his birthmark, a red cross
between his shoulders. She confesses everything to her parents, and is
forgiven. Hugdietrich is sent for. He comes, recognizes the boy as his
own, kisses him in truly Germanic fashion, wraps his golden mantle
Public-domain text, read in full here on John Shaqi.
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