and he abandons her to the unmitigated ill treatment of her tormentor,
Queen Gerlinde, by whom Gudrun is condemned to perpetual servitude and
shame. Gudrun's noble attendant, Hildeburg, by piteous entreaty obtains
permission to participate in the grievous work of her royal mistress.
For nearly six years they wash Gerlinde's garments in the sea, in wind
and storm, in snow and ice. But Gudrun's pure and faithful heart remains
unshaken.
Thirteen years have now passed since the terrible events on the
Wulpensand. The boys of the land of the Hegelings have grown to be men.
Queen Hilde, unforgetful of the captivity of her daughter Gudrun, and of
her duty to avenge King Mattel's death, summons her heroes and friends
and allies, foremost among whom is Herwig, to an expedition against the
Normans. A strong fleet is armed; some sixty thousand men follow Hilde's
summons. Horant of Denmark is the leader of the fleet. After a stormy
passage the coast of Normandy is reached. The allies land unnoticed
under the cover of mountain and forest, safe from the observation of the
spies. Ortwin, Gudrun's brother, and Herwig, her betrothed, go forward
as scouts.
Following the natural order of events, we now pass in the grand epic to
the romantic element, the lyrical _intermettfp_ of longing and love, of
truth and faith, to the realm of hope and consolation. All the virtues
and charms of the Teutonic woman's nature are revealed in Gudrun:
superhuman agencies intervene for her deliverance. One day Gudrun and
Hildeburg stand on the strand of the sea, occupied with their customary
menial work of washing, in strange contrast to the same womanly
occupation of the Grecian princess Nausicaa and her noble attendants in
the Odyssey, where everything is brightness and delight, when they
suddenly perceive a beautiful bird swimming toward them. It is a divine
messenger, who brings them glad tidings, pronounced with a human voice:
Public-domain text, read in full here on John Shaqi.
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