Women wanted: The story written in blood red letters on the horizon of the Great World WarDaggett, Mabel Potter
History
Women wanted: The story written in blood red letters on the horizon of the Great World War
Daggett, Mabel Potter
Women -- Employment; World War, 1914-1918 -- Women
“No,” he says, “personal reasons like that don’t interest the British
Government. Neither am I able to understand a journalistic mission
which should take a woman travelling in these days of war.” He looks at
me. “The New Position of Women! It is not of sufficient interest to the
British Government that I should let you go,” he says with finality.
“I know, Lieutenant,” I agree. “But surely you are interested in the
Allies’ war propaganda for the United States?” The light from the
window shines full on his face and I can see a faint relaxation about
the lines of his mouth. “Now I wish to go to England so that I may tell
the story of the British women’s war work. The readers of _Pictorial
Review_ are four million women who vote.” The lieutenant stirs visibly.
His sword rattles against the rounds of his chair.
Well, my request hangs in the balance like this for a week. At length
one day he says, “I’m thinking about letting you go. I shall have to
consult with my superior officer. I don’t at all know that he will
consent.”
There is the day that I have almost given up hope. I am waiting again
before the lieutenant’s desk. He has gone for a last consultation
with the superior officer. Will he never come back? I stare at his
empty chair. The clock on the mantel ticks and ticks. The fire in the
grate snaps and snaps. Other people at the next desk who get easier
visés than mine, come and go—a Red Cross nurse, two French sisters of
charity, a little French boy returning to school. I have counted the
pens in the lieutenant’s glass tray. I know every blot on his desk-pad.
The clock has ticked thirty-five minutes of suspense for me before the
little French soldier in red trousers opens the door and the lieutenant
is here.
“Well,” he says, “we have decided. You are to be permitted to go, but
on one condition.” And he visés my passport, “No return to France
during the period of the war.”
It has taken nearly two weeks to win my case. Two days later at 6
A. M., when the gardens of the Tuileries are outlined dimly
against the faint rays of dawn, my taxicab is reeling through the
streets of Paris to the Gare St. Lazare. It is noon before the train
reaches Havre. The Red Cross nurse, the London newspaper correspondent
and the Belgian air-man all file out of our compartment and the Irish
major from Salonica is last. He turns to me with a frank Irish smile:
“Your bag can just as well go along with my military luggage. And
they’ll never even open it.”
Public-domain text, read in full here on John Shaqi.
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