Luke himself was by no means unaware of the condescending interest of
his master’s daughter. He paused in his work once or twice. He turned
up his shirt-sleeves still higher. He bent down, to blow away the dust
from the moulding he had made. Something very like a flash of amorous
admiration passed across his blue eyes as he permitted them slyly to
wander from Gladys’ head to her waist, and from her waist to her shoes.
She certainly was an alluring figure as she stood there in her thin
white dress. The hand which pulled her skirt away from the dust showed
as soft and warm as if it were pleading for a caress, and the rounded
contours of her bosom looked as if they had ripened with the early
peaches, under the walls of her stately garden. She presently unlinked
her arm from her companion’s, and sliding it softly round Lacrima’s
side drew the girl close against her. As she did this she permitted a
slow amorous glance of deliberate tantalization to play upon the young
carver. How well Luke Andersen knew that especial device of maidens
when they are together--that way they have of making their playful,
innocent caresses such a teasing incentive! And Luke knew well how to
answer all this. Nothing could have surpassed in subtle diplomacy the
manner in which he responded, without responding, to the amorous girl’s
overtures. He let her realize that he himself understood precisely the
limits of the situation; that she was perfectly at liberty to enter a
mock-flirtation with him, without the remotest risk of any “faux pas”
on his part spoiling the delicacy of their relations.
What was indeed obvious to her, without the necessity of any such
unspoken protestation, was the fact that he found her eminently
desirable. Nor did her pride as “the girl up at the house” quarrel
with her vanity as the simple object of Luke’s admiration. She wanted
him to desire her as a girl;--to desire her to madness. And then she
wanted to flout him, with her pretensions as a lady. This particular
occasion was by no means the first time she had drifted casually down
the vicarage hill and lingered beside the stone-cutters. It was,
however, an epoch in their curious relations. For the first time since
she had been attracted to him, she deliberately moved close up to the
stone he worked at, and entered into conversation. While this occurred,
Lacrima, released from her rôle as the accomplice of amorous teasing,
wandered away, picking listlessly the first red poppies of the year,
which though less flaunting in their bold splendour than those of her
childhood’s memories, were at least the same immortal classical flowers.
As she bent down in this assuaging pastime, letting her thoughts wander
so far from Nevilton and its tyrants, Lacrima became suddenly conscious
that James Andersen had laid down his tools, resumed his coat, and was
standing by her side.
“A beautiful evening, Miss”; he said respectfully, holding his hat in
his hand and regarding her with grave gentleness.
Public-domain text, read in full here on John Shaqi.
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