“Well, dear friends,” he concluded, “I must really be getting back to
my supper. Mrs. Wone will be unbearable if I am late.” He hesitated
a moment as if wondering whether the occasion called for any further
domestic jocosity, to let these high matters lightly down to earth; but
he contented himself with shaking hands with Mr. Quincunx and removing
his hat to Lacrima.
“Good night, dear friends,” he repeated, drifting off, up the road,
humming a hymn tune.
“Poor man!” whispered the girl, “he means well.”
“He ought to be shot!” was the unexpected response of the hermit of
Dead Man’s Cottage, as he let the tiger-moth flutter down into the edge
of the field. “He is no better than the rest. He is an idiot. He ought
to learn Latin.”
They moved together towards the station.
“I don’t like the way you agree with people to their face,” said
Lacrima, “and abuse them behind their backs.”
“I don’t like the way you hang about the roads with handsome
stone-cutters,” was Mr. Quincunx’s surly retort.
Meanwhile, a quite interesting little drama had been unfolding itself
in the neighbourhood of the half-carved block of sandstone. Instructed,
by a swift flash of perception, into what the situation implied, Luke’s
quick magnetic fingers soon drew from his companion’s an electric
responsive clasp, as they leant together over the mouldings. The warmth
and pliable softness of the girl’s body seemed to challenge the man
with intimations of how quickly it would yield. He pointed to the
shed-door, wide open behind them.
“I will show you my work, in there, in a moment,” he murmured, “as soon
as they have gone.”
Her breast rose and fell under the increased excitement of her
breathing. Violent quivers ran up and down her frame and communicated
themselves to him. Their hearts beat fiercely in reciprocal agitation.
Luke’s voice, as he continued his conventional summary of the quality
and destination of the stone, shook a little, and sounded queer and
detached.
“It is for Shaftesbury church,” he said, “for the base of the column
that supports the arch. This particular moulding is one which my father
designed. You must remember that upon it will rest a great deal of the
weight of the roof.”
His fellow workmen had now collected their tools and were shuffling
nervously past them. It required all Gladys’ sang-froid to give them
the casual nod due from the daughter of the House to those who laboured
in its service. As soon as they were well upon their way, with a quick
glance at the distant figures of Lacrima and James, Gladys turned
rapidly to her companion.
“Show me,” she said.
Public-domain text, read in full here on John Shaqi.
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