She gave her head a proud little toss and raised negligent deliberate
hands to her disarranged fair hair, smoothing it down and readjusting
her wide-brimmed hat. She had become the grand lady again and Luke
had become the ordinary young stone-mason. Superficially, and with
a charming grace, he adapted himself to this change, continuing his
conventional remarks about fonts, pillars, crosses, and capitals; and
calling her “Miss” or “Miss Gladys,” with scrupulous discretion. But
in his heart, all the while, he was registering a deep and vindictive
vow--a vow that, at whatever risk and at whatever cost, he would make
this fair young despot suffer for her caprice. Gladys had indeed, quite
unwittingly, entered into a struggle with a nature as remorseless and
unscrupulous as her own. She had dreamed, in her imperial way, of using
this boy for her amusement, and then throwing him aside. She did not
for a moment intend to get entangled in any sentimental relations with
him. A passing “amour,” leading to nothing, and in no way committing
her, was what she had instinctively counted on. For the rest, in
snatching fiercely at any pleasure her fervent senses craved, she was
as conscienceless and antinomian, as a young tiger out of the jungle.
Nor had she the remotest sense of danger in this exciting sport.
Corrupt and insensitive as any amorous courtezan of a pagan age, she
trusted to her freedom from innocence to assure her of freedom from
disaster. Vaguely enough in her own mind she had assumed, as these
masterful “blond beasts” are inclined to assume, that in pouncing on
this new prey she was only dealing once more with that malleable and
timorous humanity she had found so easy to mould to her purpose in
other quarters. She reckoned, with a pathetic simplicity, that Luke
would be clay in her hands. As a matter of fact this spoiled child of
the wealth produced by the Leonian stone had audaciously flung down
her challenge to one who had as much in him as herself of that stone’s
tenacity and imperviousness. The daughter of sandstone met the carver
of sandstone; and none, who knew the two, would have dared to predict
the issue of such an encounter.
The young man was still urbanely and discreetly discoursing to his
lady-visitor upon the contents of the work-shop, when the tall figure
of James Andersen darkened the door.
“Excuse me, Miss,” he said to Gladys, “but Miss Lacrima asked me to
tell you that she was waiting for you on the bridge.”
Public-domain text, read in full here on John Shaqi.
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