Mr. Quincunx stroked his beard with a trembling hand. “Of course I knew
you’d say that, Lacrima. You are just like the rest. You women all
think, at the bottom of your hearts, that men are no good if they can’t
make money. I believe you have an idea that I ought to do what people
call ‘get on a bit in the world.’ If you think that, it only shows
how little you understand me. I have no intention of ‘getting on.’ I
_won’t_ ‘get on’! I would sooner walk into Auber Lake and end the whole
business!”
The suddenness and injustice of this attack really did rouse the
Italian to anger. “Good-bye,” she said with a dark flash in her eyes.
“I see it’s no use talking to you when you are in this mood. You have
never, _never_ spoken to me in that tone before. Good-bye! I can open
the gate for myself, thank you.”
She walked away from him and passed out into the lane. He stood
watching her with a queer haggard look on his face, his sorrowful grey
eyes staring in front of him, as if in the presence of an apparition.
Then, very slowly, he resumed his work, leaving however the fallen
cabbage-leaf unnoticed on the ground.
The weeds in the wheel-barrow, the straight banked-up lines of potatoes
and lettuces, wore, as he returned to them, that curious air of forlorn
desertion which is one of nature’s bitterest commentaries upon the
folly of such scenes.
A sickening sense of emptiness took possession of him, and in a moment
or two became unendurable. He flung a handful of weeds to the ground
and ran impetuously to the gate and out into the lane. It was too late.
A group of farm-labourers laughing and shouting, and driving before
them a herd of black pigs, blocked up the road. He could not bring
himself to pass them, thus hatless and in his shirt-sleeves. Besides,
they must have seen the girl, and they would know he was pursuing her.
He returned slowly up the path to his house, and--to avoid being seen
by the men--entered his kitchen, and sat gloomily down upon a chair.
The clock on the mantelpiece ticked with contemptuous unconcern. The
room had that smell of mortuary dust which rooms in small houses often
acquire in the summer. He sat down once more on a chair, his hands
upon his knees, and stared vacantly in front of him. A thrush outside
the window was cracking a snail upon a stone. When the shouts of the
men died away, this was the only sound that came to him, except the
continual “tick--tick--tick--tick” of the clock, which seemed to be
occupied in driving nails into the heavy coffin-lid of every mortal joy
that time had ever brought forth.
That same night in Nevilton House was a night of wretched hours for
Lacrima, but of hours of a wretchedness more active than that which
made the hermit of Dead Man’s Cottage pull the clothes over his head
and turn his face to the wall, long ere the twilight had vanished from
his garden.
Public-domain text, read in full here on John Shaqi.
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