Wood Carvings in English Churches: I. Stalls and Tabernacle Work. II. Bishop's Thrones and Chancel Chairs.Bond, Francis
History
Wood Carvings in English Churches: I. Stalls and Tabernacle Work. II. Bishop's Thrones and Chancel Chairs.
Bond, Francis
Choir stalls; Church decoration and ornament; Wood-carving
"Our life lies eastward; every day
Some little of that mystic way
By trembling feet is trod;
In thoughtful fast and quiet feast
Our heart goes travelling to the East
To the incarnate God;
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Still doth it eastward turn in prayer
And rear its saving altar there;
Still doth it eastward turn in creed,
While faith in awe each gracious deed
Of her dear Saviour's love doth plead;
Still doth it turn at every line
To the fair East, in sweet mute sign
That through our weary strife and pain
We crave our Eden back again."[7]
The next step appears first in ninth century churches, and in the plan of
the monastery of St Gall. It involved no change in the position of the
stalls of the clergy; but instead of being placed in the eastern bays of
the nave, the sanctuary was lengthened to contain them. And so we reach the
familiar parochial chancel, with its western portion forming a choir, and
its eastern a sanctuary. The clergy left the nave and the laity in the
midst of whom they had so long sung and prayed, and removed to the chancel,
where to the north and south were solid walls, while to the west, no doubt
very shortly, was added a screen guarding the entrance to the chapel.
Though the new plan made no alteration in the relative position of the
stalls of the clergy, it was nevertheless a real revolution. The chancel
became practically a secluded, closed chapel; the offices and services
which had been performed in the midst of the laity became more and more the
prerogative of a privileged ecclesiastical order; in the end, in the
greater churches, special altars were put up for the laity in the nave;
except in the parish churches, laymen lost the right to participate in
services at the High Altar. {21}
[Illustration: Carlisle]
In our great monastic and collegiate churches it was long before the ninth
century innovation--viz., the insertion of the choir in the eastern limb of
the church--was generally adopted; in some it was never adopted at all. The
typical Cistercian churches, _e.g._, Kirkstall, reverted to the Early
Christian arrangement, by which the eastern division of the church was
appropriated exclusively to the sanctuary; and this was the case with many
Benedictine and collegiate churches also. Till ignorant and incompetent
"restorers" were let loose on them, the eastern limb of the cathedrals of
the Secular Canons of Wells and Hereford, that of the Benedictine cathedral
of Ely and others formed one vast sanctuary, the stalls being placed under
the central tower and in the eastern part of the nave; at Wells the choir
had a length of 47 feet, but the sanctuary of 67 feet. The reason why a
sanctuary so long was required was no doubt that it was desired to place in
it two altars; one, the "choir" or "matins" altar, for ordinary services;
the other, the High altar, more to the east, reserved for High Mass.[8]
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[Illustration: Durham]
Public-domain text, read in full here on John Shaqi.
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