Wood Carvings in English Churches: I. Stalls and Tabernacle Work. II. Bishop's Thrones and Chancel Chairs.Bond, Francis
History
Wood Carvings in English Churches: I. Stalls and Tabernacle Work. II. Bishop's Thrones and Chancel Chairs.
Bond, Francis
Choir stalls; Church decoration and ornament; Wood-carving
Apart from the above, we seem to have no stallwork of earlier date than the
fourteenth century. Of that period the earliest and perhaps the most
beautiful is that in Winchester cathedral. The pulpit was given by Prior
Silkstede, whose name is inscribed on it; he was prior from 1498 to 1524;
the desks and stools of the upper tier have the date 1540. The canopies are
of one story. Each is surmounted by a straight sided gable or pediment,
which is crocketed and finialled and has compound cusping. The upper part
of each gable is perforated with a multifoiled trefoil. Below, the stall is
spanned by a broad pointed arch, which is subdivided into two pointed and
detached arches, with foliated cusps. These two minor arches carry circles
with varying tracery. At the back of each stall (35) is a broad arch
containing a pair of detached pointed trifoliated arches supported by
shafts whose capitals are alternately molded and foliated. These two small
arches carry a circle within which is inscribed a cinquefoil, cusped and
foliated. The spandrils between each pair of containing arches at the back
of the stalls are occupied by foliage admirably carved, in which are
figures of men, animals, birds, &c. There is no pronounced ogee arch
anywhere, though there is a suspicion of one where the open trefoils of the
gables rest upon the containing arches. The tracery too of all the circles
is geometrical, _i.e._, composed of simple curves; there is no flowing or
ogee tracery with compound curves. It may be assumed therefore that the
work is earlier than _c._ 1315. On the other hand the foliage of the
spandrils has pronounced bulbous or ogee curves and the pediments contain
compound cusping; both features being characteristic of ornament of the
first half of the fourteenth century. {34}
[Illustration: Winchester Cathedral]
{35}
[Illustration: Winchester Cathedral]
{36}
Taking all into account, 1305 may be taken as an approximate date for this
superb work. It is usually assigned to the year 1296, on the ground of
similarity of design to that of the Westminster tomb of Edmund Crouchback
who died in that year; but that is to forget that he died in debt, leaving
instructions that he was not to be buried till his debts were paid: it is
likely therefore that his tomb is several years later than 1296; indeed,
except that its main arch has not ogee arches in its cusping, it is not
much earlier in design than the adjoining tomb of Aymer de Valence, who
died in 1324. Comparison may be made also with the monument in Winchelsea
church of Gervase Alard, who was still alive in 1306; and with the
monuments in Ely cathedral of Bishop Louth (_ob._ 1298) and in Canterbury
cathedral of Archbishop Peckham (_ob._ 1292).
[Illustration: Chichester]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account