In the latter years of the fourteenth century we come to a new form of stall design; one in which the English carvers won their greatest triumphs, and which became the standard and typical design for English stalls. It is seen in the magnificent tabernacled stalls of Lincoln, Chester, Nantwich, Carlisle, Windsor, St Asaph, Ripon, Manchester, Westminster, Beverley and Durham. To distinguish this group, we may term it "stallwork with tabernacled canopies," or, more shortly, "tabernacled stalls." Though new, it is, like all design, based on earlier models. At Ely (37) two distinct and conflicting designs are combined; to those two the Lincoln carvers gave unity (17). The stallwork at Ely is in two stories; but they are not correlated in any way. The upper story consists of canopied niches, now containing figures, formerly probably occupied by paintings. At Lincoln the lower story was omitted, reducing the elevation to a single story; while the niches of the Ely upper story were brought low down, and made to enshrine the vested canons below. The Lincoln niches, however, are of more elaboration than those of Ely; in the latter each niche was fronted by three straight-sided pediments; in the former the pediments are hollow-sided, and in front of each is a bowing ogee arch. Then these niches are repeated above, except that each niche is single instead of being triple, and enshrines a statuette of wood, and is flanked by window tracery. Moreover, above each upper niche, as at Ely, rises a lofty spirelet with crockets and finials, encircled by a coronal of ogee gables and flanked by tall slender pinnacles, themselves also ornamented with miniature niches, crockets and finials. Also the upper portions of the shafts below are niched, crocketed and battlemented. Thus the Ely design becomes thoroughly harmonious and at one with itself. {52} [Illustration: Lincoln] {53} [Illustration: Chester]