Some twenty years later, stallwork was put up in the collegiate church of Manchester. On the north side of the choir is a curious shield with the initials of Richard Beck, a Manchester merchant, by whom all the stalls on that side were erected: the southern stalls were erected by Bishop Stanley, and at the west end of them is the shield of Stanley with the Stanley legend of the eagle and child. At Manchester craftsman ambition had to surpass Ripon and Nantwich. But the lower stages of Nantwich and Ripon were unsurpassable; so they were copied, angelettes included. The string-course is strengthened and improved by additional battlements; but undue emphasis is prevented by making it discontinuous. In the upper story, by way of change, there is a reversion to the single niche, flanked by window tracery, of Lincoln and Chester; finally, originality is asserted by surmounting the whole, in somewhat doubtful propriety, with a continuous tester, so that the canopies that cover the stalls are themselves covered and protected. This tester has a horizontal cornice with brattishing above and cornice braces between pendant pieces below. To make room for this the spirelets so much in vogue are replaced, as at Nantwich, by canopies with horizontal cresting--taking it altogether, a magnificent design, if only the Ripon stalls had not existed (62). {64} [Illustration: Beverley Minster] [Illustration: Beverley Minster] {65} [Illustration: Beverley Minster] [Illustration: Beverley Minster] Then come the stalls of Beverley Minster, misericords of which are inscribed with the dates 1520 and 1524; the stalls are therefore about a dozen years later than those of Manchester. They are modelled closely on those of Manchester and Ripon. It is quite conceivable that some of the carvers may have worked successively at Ripon (1500), Manchester (1508) and Beverley (1520). As at Ripon, the lower story is made predominant, the little angels being replaced, however, by human busts--no great improvement; not that they are not full of life and interest (27, 63). The string-course is that of Manchester. The upper story has single niches flanked by window tracery, as at Manchester. The horizontal canopy of Manchester now remains over the return stalls only. On the whole it must be admitted that these stalls mark no advance. A bit of original design indeed appears at one point, where low, heavy straight-lined gables are introduced quite out of harmony with the curving ogee arches (64). {66} [Illustration: Durham]