Woodbarrow Farm: Play in Three ActsJerome, Jerome K. (Jerome Klapka)
General
Woodbarrow Farm: Play in Three Acts
Jerome, Jerome K. (Jerome Klapka)
English drama
Piff. Um! The master has been getting impertinent to me of late, so the
servants seem to be following suit. (_Shrugging his shoulders._) I shall
throw this job up when I’ve made another hundred or two. I wonder how
much longer he’s going to keep me waiting.
(_Exit Piff. c._)
(_Enter Allen r. creeping in cautiously in a mysterious and watchful
manner. He has a huge pewter pot in one hand and a large church-warden
clay pipe alight in the other. He looks round stealthily, listens, then
crosses nervously and sits l. in easy chair. He stretches himself out
as luxuriously as his tight clothes will allow--especially the collar.
Takes a long pull at the pot and long puffs at the pipe. In the middle
of each pull, grunts “good” in evident enjoyment._)
Allen. (_Chuckling in a deep undertone. Crosses to c. and sits._)
Ah-h-h, I’ve done un this time. He’s waiting upstairs to curl my hair.
(_Chuckling again._) Told un I’d come up when (_grandly_) I’d finished
conducting my correspondence. (_Chuckles, pulls at pipe, and takes a
deep draught._) First time I’ve ever enjoyed myself since I came into my
property. (_Breaks out into some country ale-house sort of song, sings,
warming as he goes on with great gusto._)
(_Enter Piffin c., unseen by Allen. Piff. comes down and stands c.
looking on. Allen finishes song and then buries his face in the pot.
As his eyes emerge over the brim he catches sight of Piff. He remains
looking at him for a while and then slowly puts the pot on the table._)
Allen. What do thee want? Didn’t I tell ’ee I wur going to conduct my
correspondence, and that I didn’t want to be disturbed?
Piff. (_Goes up table._) I beg pardon, sir, but I thought maybe you had
completed your correspondence, especially as there was only one letter
this morning, and that was a circular about coals.
Allen. Oh, did you. Well, I ain’t you see. I’m going to write a lot of
original correspondence this morning, and I’m collecting my thoughts.
(_Goes on smoking sulkily._)
Piff. Yes, sir--certainly, sir--but might I be allowed to suggest, sir,
that a pot of ale and a clay pipe are hardly the _dolce far niente_ of a
_grand seigneur_.
Allen. Hardly the what of my which? Look here, don’t you be so spry at
calling me them jaw-breaking foreign names, because I don’t like it.
It wur only yesterday you alluded to me as a _bo-mo_, and last week
you said I ought to be in the _hot tongs_. I didn’t say anything at the
time, but you drop it.
Piff. I referred to you as belonging to the _beau monde_, sir, and I
may have said your position was now among the _haut ton_. We always talk
like that in good society, sir. Both expressions were flattering, very
flattering.
Allen. Ah, maybe they wur and maybe they wurn’t. Next time, you call
it me in English, and then I can judge for myself. And don’t worrit me
to-day at all. I’ve got a trying morning before me, and I’m going to
have a little quiet enjoyment to set myself up before it begins.
Public-domain text, read in full here on John Shaqi.
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