In the west the pale, cold moon, now a few days past the full, was
sinking in a blue-black sky that might have been that of the keenest
night in December. In the east, out of a low bank of dark clouds that
marked the dun spring mists rising from the sea twenty miles away,
flashed iris tints of dawn upward into a clear, pale sky that bore
dapplings of softest apple-green. On the one hand were night and the
winter, on the other dawn and the spring, and down the pine-sheltered
path I walked between the two to a point where I stopped in delight.
The pine path ended, and the willows let the spring dawn filter through
their delicate sprays. Just here I caught the hum of the water rolling
over the dam and the prattle of the brook below, and right through it
all, clear, mellow, and elated, came the voice of a song sparrow.
“Kolink, kolink, chee chee chee chee chee, tseep seedle, sweet, sweet,”
he sang and it fitted so well with the rollicking tinkle of the brook
that I knew he was down among the alders where he could smell the rich
spring odor of the purling water. The two sounds not only complemented
one another as do two parts in music, but they were of the same quality,
though so distinctly different. It was as if tenor and alto were being
sung.
I had gone forth expecting bluebirds; I had half hoped for a robin when
it came time for matins, for robins have been about all winter, and here
a song sparrow, no doubt the first spray from the northward surging wave
of migratory birds, was the first to break the winter stillness. He had
hardly piped his first round, though, before the voices of bluebirds
murmured in the air above, and two lighted on the willows, caroling in
that subdued manner which is the epitome of gentleness. I think these
two were migrants, for later in the morning I heard others.
Then in a half minute there was a shrilling of wings that beat the air
rapidly and six ducks swung over my head in the rosy dusk. Most ducks
make a swishing sound with the wings when in rapid flight, but this was
so marked a sibillation that I am quite sure it was a flock of
goldeneyes, more commonly called whistlers, because they so excel in
wing music. They swung a wide circle over my head and then dropped back
into the pond, where an opening in the young ice gave them opportunity.
Curiosity probably brought them up. They wanted to see what that was
prowling on the pond shore in the uncertain light,--a prompting that
might have cost them dear had I carried a gun, for they came within easy
range; then, having seen, they went back to their fishing. Their
presence added a touch of wildness to the scene that was not without its
charm, for you can hardly call the bluebird or the song sparrow wild
birds. They are almost as domestic as the garden shrubbery.
Public-domain text, read in full here on John Shaqi.
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