Produced by Chris Curnow, Joseph Cooper, Emmy and the
Online Distributed Proofreading Team at http://www.pgdp.net
Music transcribed by Linda Cantoni
WOODLAND TALES
WOODLAND TALES
BY
ERNEST THOMPSON SETON
[Illustration]
WITH 100 DRAWINGS
BY
THE AUTHOR
AUTHOR OF "WILD ANIMALS AT HOME," "WILD
ANIMALS I HAVE KNOWN," "TWO LITTLE SAVAGES,"
"BIOGRAPHY OF A GRIZZLY," "LIFE
HISTORIES OF NORTHERN ANIMALS," "ROLF IN
THE WOODS," "THE BOOK OF WOODCRAFT."
CHIEF OF THE WOODCRAFT LEAGUE OF AMERICA
GARDEN CITY NEW YORK
DOUBLEDAY, PAGE & COMPANY
1922
COPYRIGHT, 1905, 1920, 1921, BY
ERNEST THOMPSON SETON
ALL RIGHTS RESERVED, INCLUDING THAT OF TRANSLATION
INTO FOREIGN LANGUAGES, INCLUDING THE SCANDINAVIAN
COPYRIGHT 1903, 1904, BY THE CENTURY COMPANY
PRINTED IN THE UNITED STATES
AT
THE COUNTRY LIFE PRESS, GARDEN CITY, N. Y.
PREFACE
_To the Guide_
These Mother Carey Tales were written for children of all ages, who have
not outgrown the delight of a fairy tale. It might almost be said that
they were written chiefly for myself, for I not only have had the
pleasure of telling them to the little ones, and enjoying their quick
response, but have also had the greater pleasure of thinking them and
setting them down.
As I write, I look from a loved window, across a landscape that I love,
and my eye rests on a tall beautiful pine planted with my own hands
years ago. It is a mass of green fringes, with gem-like tips of buds and
baby cones, beautiful, exquisitely beautiful, whether seen from afar as
a green spire, or viewed close at hand as jewellery. It is beautiful,
fragile and--unimportant, as the world sees it; yet through its
wind-waved mass one can get little glimpses of the thing that backs it
all, the storm-defying shaft, the enduring rigid living growing trunk of
massive timber that gives it the nobility of strength, and adds value to
the rest; sometimes it must be sought for, but it always surely is
there, ennobling the lesser pretty things.
I hope this tree is a fair image of my fairy tale. I know my child
friends will love the piney fringes and the jewel cones, and they can
find the unyielding timber in its underlying truth, if they seek for it.
If they do not, it is enough to have them love the cones.
All are not fairy tales. Other chapters set forth things to see, thing
to do, things to go to, things to know, things to remember. These,
sanctified in the blue outdoors, spell "Woodcraft," the one pursuit of
man that never dies or palls, the thing that in the bygone ages gifted
him and yet again will gift him with the seeing eye, the thinking hand,
the body that fails not, the winged soul that stores up precious
memories.
It is hoped that these chapters will show how easy and alluring, and how
good a thing it is.
Public-domain text, read in full here on John Shaqi.
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