Great Britain -- History -- Commonwealth and Protectorate, 1649-1660 -- Fiction; Historical fiction
He had known every corner, both of the inhabited and uninhabited part
of the mansion, and availed himself of the candle to traverse two or
three intricate passages, which he was afraid he might not remember
with sufficient accuracy. This movement conveyed him to a sort of
_oeil-de-boeuf_, an octagon vestibule, or small hall, from which
various rooms opened. Amongst these doors, Everard selected that which
led to a very long, narrow, and dilapidated gallery, built in the time
of Henry VIII., and which, running along the whole south-west side of
the building, communicated at different points with the rest of the
mansion. This he thought was likely to be the post occupied by those
who proposed to act the sprites upon the occasion; especially as its
length and shape gave him some idea that it was a spot where the bold
thunder might in many ways be imitated.
Determined to ascertain the truth if possible, he placed his light on a
table in the vestibule, and applied himself to open the door into the
gallery. At this point he found himself strongly opposed either by a
bolt drawn, or, as he rather conceived, by somebody from within
resisting his attempt. He was induced to believe the latter, because
the resistance slackened and was renewed, like that of human strength,
instead of presenting the permanent opposition of an inanimate
obstacle. Though Everard was a strong and active young man, he
exhausted his strength in the vain attempt to open the door; and having
paused to take breath, was about to renew his efforts with foot and
shoulder, and to call at the same time for assistance, when to his
surprise, on again attempting the door more gently, in order to
ascertain if possible where the strength of the opposing obstacle was
situated, he found it gave way to a very slight impulse, some
impediment fell broken to the ground, and the door flew wide open. The
gust of wind, occasioned by the sudden opening of the door, blew out
the candle, and Everard was left in darkness, save where the moonshine,
which the long side-row of latticed windows dimmed, could imperfectly
force its way into the gallery, which lay in ghostly length before him.
Public-domain text, read in full here on John Shaqi.
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