Great Britain -- History -- Commonwealth and Protectorate, 1649-1660 -- Fiction; Historical fiction
The melancholy and doubtful twilight was increased by a quantity of
creeping plants on the outside, which, since all had been neglected in
these ancient halls, now completely overgrown, had in some instances
greatly diminished, and in others almost quite choked up, the space of
the lattices, extending between the heavy stone shaftwork which divided
the windows, both lengthways and across. On the other side there were
no windows at all, and the gallery had been once hung round with
paintings, chiefly portraits, by which that side of the apartment had
been adorned. Most of the pictures had been removed, yet the empty
frames of some, and the tattered remnants of others, were still visible
along the extent of the waste gallery; the look of which was so
desolate, and it appeared so well adapted for mischief, supposing there
were enemies near him, that Everard could not help pausing at the
entrance, and recommending himself to God, ere, drawing his sword, he
advanced into the apartment, treading as lightly as possible, and
keeping in the shadow as much as he could.
Markham Everard was by no means superstitious, but he had the usual
credulity of the times; and though he did not yield easily to tales of
supernatural visitations, yet he could not help thinking he was in the
very situation, where, if such things were ever permitted, they might
be expected to take place, while his own stealthy and ill-assured pace,
his drawn weapon, and extended arms, being the very attitude and action
of doubt and suspicion, tended to increase in his mind the gloomy
feelings of which they are the usual indications, and with which they
are constantly associated. Under such unpleasant impressions, and
conscious of the neighbourhood of something unfriendly, Colonel Everard
had already advanced about half along the gallery, when he heard some
one sigh very near him, and a low soft voice pronounce his name.
“Here I am,” he replied, while his heart beat thick and short. “Who
calls on Markham Everard?”
Another sigh was the only answer.
“Speak,” said the Colonel, “whoever or whatsoever you are, and tell
with what intent and purpose you are lurking in these apartments?”
“With a better intent than yours,” returned the soft voice.
“Than mine!” answered Everard in great surprise. “Who are you that dare
judge of my intents?”
“What, or who are you, Markham Everard, who wander by moonlight through
these deserted halls of royalty, where none should be but those who
mourn their downfall, or are sworn to avenge it?”
“It is—and yet it cannot be,” said Everard; “yet it is, and must be.
Alice Lee, the devil or you speaks. Answer me, I conjure you!—speak
openly—on what dangerous scheme are you engaged? where is your father?
why are you here?—wherefore do you run so deadly a venture?—Speak, I
conjure you, Alice Lee!”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account