Great Britain -- History -- Commonwealth and Protectorate, 1649-1660 -- Fiction; Historical fiction
The Independent orator, late prostrate, was now triumphant, and
inducting himself into the pulpit without farther ceremony, he pulled a
Bible from his pocket, and selected his text from the forty-fifth
psalm,—“Gird thy sword upon thy thigh, O most mighty, with thy glory
and thy majesty: and in thy majesty ride prosperously.”—Upon this
theme, he commenced one of those wild declamations common at the
period, in which men were accustomed to wrest and pervert the language
of Scripture, by adapting to it modern events.[2] The language which,
in its literal sense, was applied to King David, and typically referred
to the coming of the Messiah, was, in the opinion of the military
orator, most properly to be interpreted of Oliver Cromwell, the
victorious general of the infant Commonwealth, which was never destined
to come of age. “Gird on thy sword!” exclaimed the preacher
emphatically; “and was not that a pretty bit of steel as ever dangled
from a corslet, or rung against a steel saddle? Ay, ye prick up your
ears now, ye cutlers of Woodstock, as if ye should know something of a
good fox broad sword—Did you forge it, I trow?—was the steel quenched
with water from Rosamond’s well, or the blade blessed by the old
cuckoldy priest of Godstow? You would have us think, I warrant me, that
you wrought it and welded it, grinded and polished it, and all the
while it never came on a Woodstock stithy! You were all too busy making
whittles for the lazy crape-men of Oxford, bouncing priests, whose eyes
were so closed up with fat, that they could not see Destruction till
she had them by the throat. But I can tell you where the sword was
forged, and tempered, and welded, and grinded, and polished. When you
were, as I said before, making whittles for false priests, and daggers
for dissolute G—d d—n-me cavaliers, to cut the people of England’s
throats with—it was forged at Long Marston Moor, where blows went
faster than ever rung hammer on anvil—and it was tempered at Naseby, in
the best blood of the cavaliers—and it was welded in Ireland against
the walls of Drogheda—and it was grinded on Scottish lives at
Dunbar—and now of late it was polished in Worcester, till it shines as
bright as the sun in the middle heaven, and there is no light in
England that shall come nigh unto it.”
Public-domain text, read in full here on John Shaqi.
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