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Transcriber’s note:
Text in italics is surrounded by underscores: _italics_.
Emboldened text is surrounded by equals signs: =bold=.
WORD PORTRAITS OF FAMOUS WRITERS
Edited by
MABEL E. WOTTON
‘What manner of man is he?’
_Twelfth Night_
London
Richard Bentley & Son
Publishers in Ordinary to Her Majesty the Queen
1887
Printed by R. & R. Clark, Edinburgh.
[Illustration]
INTRODUCTION
“The world has always been fond of personal details respecting men
who have been celebrated.” These were the words of Lord Beaconsfield,
and with them he prefixed his description of the personal appearance
of Isaac D’Israeli; but we hardly need the dictum of our greatest
statesman to convince ourselves that at all events every honest
literature-lover takes a very real interest in the individuality of
those men whose names are perpetually on his lips. It is not enough
for such a one merely to make himself familiar with their writings. It
does not suffice for him that the _Essays of Elia_, for instance, can
be got by heart, but he feels that he must also be able to linger in
the playground at Christ’s with the “lame-footed boy,” and in after
years pace the Temple gardens with the gentle-faced scholar, before he
can properly be said to have made Lamb’s thoughts his own. At the best
it is but a very incomplete notion that most of us possess as to the
actual personality of even the most prominent of our British writers.
The almost womanly beauty of Sidney, and the keen eyes and razor face
of Pope, would, perhaps, be recognised as easily as the well-known form
of Dr. Johnson; but taking them _en masse_ even a widely-read man might
be forgiven if, from amongst the scraps of hearsay and curtly-recorded
impressions on which at rare intervals he may alight, he cannot very
readily conjure up the ghosts of the very men whose books he has
studied, and to whose haunts he has been an eager pilgrim.
Public-domain text, read in full here on John Shaqi.
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