“A likeness of the author, engraved by M. Vandergucht, from a painting by Taverner, is prefixed.” (_To a volume of treatises published in 1703._) “It is the first portrait of De Foe, and probably the most like him. The following description of it by a recent biographer is strikingly characteristic: ‘No portrait can have more verisimilitude, to say the least of it. It exhibits a set of features rather regular than otherwise, very determined in its outlines, more particularly the mouth, which expresses great firmness and resolution of character. The eyes are full, black, and grave-looking, but the impression of the whole countenance is rather a striking than a pleasing one. Daniel is here set forth in a most lordly and full-bottomed wig, which flows down lower than his elbow, and rises above his forehead with great amplitude of curl. A richly-laced cravat, and fine loose-flowing cloak completes his attire, and preserve, we may suppose, the likeness of that civic “gallantry” which Oldmixon ascribes to Daniel on the occasion of his escorting King William to the Lord Mayor’s feast. It is altogether more like a picture of a substantial citizen of the “surly breed” De Foe has himself so often satirised, than that of a poor pamphleteer languishing in jail after the terrors of the pillory.’” [Sidenote: John Forster’s _Bibliographical Essays_. *] “It is, to us, very pleasing to contemplate the meeting of such a sovereign and such a subject, as William and De Foe. There was something not dissimilar in their physical aspect, as in their moral temperament resemblances undoubtedly existed. The King was the elder by ten years, but the middle size, the spare figure, the hooked nose, the sharp chin, the keen gray eye, the large forehead, and grave appearance, were common to both. William’s manner was cold, except in battle, and little warmth was ascribed to De Foe’s, unless he spoke of civil liberty.” CHARLES DICKENS 1812-1870 [Sidenote: Forster’s _Life of Dickens_.]