Bildungsromans; Feminist fiction; Women -- Employment -- Fiction; Young women -- Fiction
As she looked from the living face, so pale and so pathetic in its
quietude, to the painted one so full of color, strength, and happiness,
her heart ached for poor Helen, and her eyes were wet with tears of
pity. A sudden movement on the couch gave her no time to hide them, and
as she hastily looked down upon her book a treacherous drop fell
glittering on the page.
“What have you there so interesting?” asked Helen, in that softly
imperious tone of hers.
“Don Quixote,” answered Christie, too much abashed to have her wits
about her.
Helen smiled a melancholy smile as she rose, saying wearily:
“They gave me that to make me laugh, but I did not find it funny;
neither was it sad enough to make me cry as you do.”
“I was not reading, I was”—there Christie broke down, and could have
cried with vexation at the bad beginning she had made. But that
involuntary tear was better balm to Helen than the most perfect tact,
the most brilliant conversation. It touched and won her without words,
for sympathy works miracles. Her whole face changed, and her mournful
eyes grew soft as with the gentle freedom of a child she lifted
Christie’s downcast face and said, with a falter in her voice:
“I know you were pitying me. Well, I need pity, and from you I’ll take
it, because you don’t force it on me. Have you been ill and wretched
too? I think so, else you would never care to come and shut yourself up
here with me!”
“I have been ill, and I know how hard it is to get one’s spirits back
again. I’ve had my troubles, too, but not heavier than I could bear,
thank God.”
“What made you ill? Would you mind telling me about it? I seem to fancy
hearing other people’s woes, though it can’t make mine seem lighter.”
“A piece of the Castle of the Sun fell on my head and nearly killed
me,” and Christie laughed in spite of herself at the astonishment in
Helen’s face. “I was an actress once; your mother knows and didn’t
mind,” she added, quickly.
“I’m glad of that. I used to wish I could be one, I was so fond of the
theatre. They should have consented, it would have given me something
to do, and, however hard it is, it couldn’t be worse than this.” Helen
spoke vehemently and an excited flush rose to her white cheeks; then
she checked herself and dropped into a chair, saying, hurriedly:
“Tell about it: don’t let me think; it’s bad for me.” Glad to be set to
work, and bent on retrieving her first mistake, Christie plunged into
her theatrical experiences and talked away in her most lively style.
People usually get eloquent when telling their own stories, and true
tales are always the most interesting. Helen listened at first with a
half-absent air, but presently grew more attentive, and when the
catastrophe came sat erect, quite absorbed in the interest of this
glimpse behind the curtain.
Public-domain text, read in full here on John Shaqi.
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