Bildungsromans; Feminist fiction; Women -- Employment -- Fiction; Young women -- Fiction
A fortnight later, and Christie was off. Mrs. Flint had briefly
answered that she had a room, and that work was always to be found in
the city. So the girl packed her one trunk, folding away splendid hopes
among her plain gowns, and filling every corner with happy fancies,
utterly impossible plans, and tender little dreams, so lovely at the
time, so pathetic to remember, when contact with the hard realities of
life has collapsed our bright bubbles, and the frost of disappointment
nipped all our morning glories in their prime. The old red stage
stopped at Enos Devon’s door, and his niece crossed the threshold after
a cool handshake with the master of the house, and a close embrace with
the mistress, who stood pouring out last words with spectacles too dim
for seeing. Fat Ben swung up the trunk, slammed the door, mounted his
perch, and the ancient vehicle swayed with premonitory symptoms of
departure.
Then something smote Christie’s heart. “Stop!” she cried, and springing
out ran back into the dismal room where the old man sat. Straight up to
him she went with outstretched hand, saying steadily, though her face
was full of feeling:
“Uncle, I’m not satisfied with that good-bye. I don’t mean to be
sentimental, but I do want to say, ‘Forgive me!’ I see now that I might
have made you sorry to part with me, if I had tried to make you love me
more. It’s too late now, but I’m not too proud to confess when I’m
wrong. I want to part kindly; I ask your pardon; I thank you for all
you’ve done for me, and I say good-bye affectionately now.”
Mr. Devon had a heart somewhere, though it seldom troubled him; but it
did make itself felt when the girl looked at him with his dead sister’s
eyes, and spoke in a tone whose unaccustomed tenderness was a reproach.
Conscience had pricked him more than once that week, and he was glad to
own it now; his rough sense of honor was touched by her frank
expression, and, as he answered, his hand was offered readily.
“I like that, Kitty, and think the better of you for’t. Let bygones be
bygones. I gen’lly got as good as I give, and I guess I deserved some
on’t. I wish you wal, my girl, I heartily wish you wal, and hope you
won’t forgit that the old house ain’t never shet aginst you.”
Christie astonished him with a cordial kiss; then bestowing another
warm hug on Aunt Niobe, as she called the old lady in a tearful joke,
she ran into the carriage, taking with her all the sunshine of the
place.
Christie found Mrs. Flint a dreary woman, with “boarders” written all
over her sour face and faded figure. Butcher’s bills and house rent
seemed to fill her eyes with sleepless anxiety; thriftless cooks and
saucy housemaids to sharpen the tones of her shrill voice; and an
incapable husband to burden her shoulders like a modern “Old man of the
sea.”
Public-domain text, read in full here on John Shaqi.
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