'Yes, monsieur, I first went there when I was fifteen--I'm eighteen
now. My mother worked there more than twenty years, but she is dead.
I'm all alone, I've only my little brother, Nanet, who is just six. My
name's Josine.'
And she went on telling her story, in such wise that Luc only had to
ask a few more questions to learn everything. It was the commonplace,
distressful story of so many poor girls; a father who goes off with
another woman, a mother who remains stranded with four children, for
whom she is unable to earn sufficient food. Although she luckily
loses two of them, she dies at last from the effect of over-work, and
then the daughter, just sixteen years of age, has to become a mother
to her little brother, in her turn killing herself with hard work,
though at times she is unable to earn bread enough for herself and the
boy. Then comes the inevitable tragedy which dogs the footsteps of a
good-looking workgirl--a seducer passes, the rakish Ragu, on whose
arm she imprudently strolls each Sunday after the dance. He makes her
such fine promises, she already pictures herself married, with a pretty
home, in which she brings up her brother together with the children
that may come to her. Her only fault is that one evening in springtime
she stumbles; how it was she hardly remembers. And six months later
she is guilty of a second fault, that of going to live with Ragu, who
speaks no more to her of marriage. Then her accident befalls her at the
boot-works, and she finds herself unable to continue working at the
very moment when the strike has rendered Ragu so rageful and spiteful
that he has begun to beat her, accusing her of being the cause of his
own misery. And from that moment things go from bad to worse, and now
he has turned her into the street, and will not even give her the key
so that she may go home to bed with Nanet.
Public-domain text, read in full here on John Shaqi.
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