up whistling, Luc, in order to avoid it, took a pathway between some
symmetrically disposed piles of pig-iron, and in this wise reached the
hall of the puddling-furnaces and the rolling-machines.
This hall or gallery, one of the largest of the works, resounded in
the daytime with the terrible rumbling of the rollers. But the latter
were now at rest, and more than half of the huge place was steeped in
darkness. Of the ten puddling-furnaces only four were at work, served
by two forge-hammers. Here and there a meagre gas-light flickered
in the draught; huge shadows filled the place; one could scarcely
distinguish the great smoked beams upholding the roof above. A sound
of dripping water emerged from the darkness; the beaten ground which
served as a flooring--all bumps and hollows--was in one part so much
fœtid mud, in another so much coal-dust, in another, again, a mass of
waste stuff. On every side one noticed the filth of joyless labour, a
labour hated and accursed, performed in a black, ruinous, ignoble den,
pestilential with smoke and grimy with the dirt of every kind that flew
through the air. From the nails driven into some little huts of rough
boards hung the workmen's town-clothes, mixed with linen vests and
leather aprons. And all that dense misery was only brightened when some
master puddler happened to open the door of his furnace, whence emerged
a blinding flow of light which, like the beaming of some planet,
transpierced the darkness of the entire gallery.
When Luc presented himself Bonnaire was for the last time stirring
some fusing metal--some four hundred and forty pounds' weight of cast
iron, which the furnace and human labour between them were to turn into
steel. The whole operation of steel puddling required four hours, and
this stirring at the expiration of the first hours of waiting was the
hardest part of the work. Grasping an iron rod of fifty pounds' weight
and standing in the broiling glare, the master puddler stirred the
incandescent metal on the sole of the furnace. With the help of the
hook at the end of his bar he raked the depths and kneaded the huge
sun-like ball or 'bloom,' at which he alone was able to gaze, with his
eyes hardened to the intense glow. And he had to gaze at it, since it
was by its colour that he ascertained what stage the work had reached.
When he withdrew his bar the latter was a bright red, and threw out
sparks on all sides.
With a motion of his hand Bonnaire now signed to his stoker to quicken
the fire, whilst another workman, the companion puddler, took up a bar
in order to do a stir in his turn.
'You are Monsieur Bonnaire, are you not?' asked Luc, drawing near.
The master puddler seemed surprised at being thus accosted, but nodded
affirmatively. He looked superb with his white neck and pink face full
of victorious strength amidst the glare of his work.
Public-domain text, read in full here on John Shaqi.
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