Workhouse Characters, and other sketches of the life of the poor. — John Shaqi
Workhouse Characters, and other sketches of the life of the poor.Nevinson, Margaret Wynne
General
Workhouse Characters, and other sketches of the life of the poor.
Nevinson, Margaret Wynne
London (England) -- Social conditions; Poor -- England -- London; Workhouses -- England -- London
Mrs. Smith had known sorrow, and, feeling by intuition that she was in
the presence of no ordinary tragedy, she held her peace.
"Perhaps," she asked presently, "you are going to adopt this baby? You
seem very fond of her."
"I love all babies, but I don't think I could adopt one; these workhouse
children don't start fair, and I should be too frightened. If the child
went wrong later, I don't think I could bear it."
Mrs. Smith had been a pupil-teacher, and in the last five years of
leisure she had read widely, if confusedly, at the free library. "But
people now no longer believe in heredity. Weissman's theory is that
environment is stronger then heredity."
"Oh!" said the little lady Guardian.
"Do read him," said Mrs. Smith excitedly, "and then you won't feel so
low-spirited, and perhaps the Guardians will let you adopt the next
foundling. But please let me have this one. I have taken to her more
than I thought. Oh! please, please----"
"I will vote for you at the next Board meeting," said the little lady
Guardian, "and may she make up to you for the children you have lost."
A few days later Mrs. Annie Smith, her honest face beaming with joy,
arrived again at the workhouse, followed by a small servant with a big
bundle. The attiring of the infant was long and careful, and many came
to help, and then Daphne Daventry was whirled away in a flutter of
purple and fine linen, and the burden of the rates was lightened.
"MARY, MARY, PITY WOMEN!"
A woman sat alone with folded hands in a dark fireless room. There was
little or no furniture to hold the dust, and one could see that the
pitiful process known as "putting away" had been going on, for the
cleanly scrubbed boards and polished grate showed the good housewife's
struggle after decency. On a small table in the centre of the room stood
half a loaf of bread, a jug of water, and a cup of milk. The woman bore
traces of good looks, but her face was grey and pinched with hunger, and
in her eyes was a smouldering fire of resentment and despair.
Presently the silence and gloom was broken by the entrance of a troop of
children returning noisily from school. Their faces fell when they saw
the scanty meal, and the youngest, a child of four or five, threw
himself sobbing into his mother's arms: "Oh, mother, I'se so hungry; we
only had that bit of bread for dinner."
"Hush, dear! There is a little milk for you and Gladys; you can drink as
far as the blue pattern, and the rest is for her."
The mother kissed him and tried to dry his tears; but it is hard to hear
one's children crying for food; and presently her fortitude gave way,
and she began to sob too. The older children, frightened at her
breakdown, clung round her, weeping; and the room echoed like a
torture-chamber with sobs and wails.
Public-domain text, read in full here on John Shaqi.
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