Workhouse Characters, and other sketches of the life of the poor. — John Shaqi
Workhouse Characters, and other sketches of the life of the poor.Nevinson, Margaret Wynne
General
Workhouse Characters, and other sketches of the life of the poor.
Nevinson, Margaret Wynne
London (England) -- Social conditions; Poor -- England -- London; Workhouses -- England -- London
"Don't cry, mother; it's all right; you shan't go on the parish, never
fear, neither for outdoor relief nor indoor relief. I've left my place,
and I'm coming to live with you and take care of you to the end of your
days. I'm not 'Orace, I know, but I'm your daughter, and after the
courting's over 'Orace will be your son again."
"Left your place, Esther! What do you mean, lass?"
"What I say, mother. 'Orace wrote and told me what Ruby said, and I was
that sorry I went and gave notice. 'Orace is awful upset, too, but
there, it is no good talking to a man in love, and perhaps Ruby will get
nicer; she's a young thing yet. So when I told my lady all about it she
let me come away at once. The family is going to the Riviera next week,
and the housekeeper can manage quite well."
"You've left your good place, Esther, all for me?"
"Yes; all right, old dear. I've got a fourteen-year character from my
lady, and I'll soon find something to do; I'm not the sort as starves."
And Esther rolled up her sleeves, made up the fire, and poured the
contents of the indignant kettle into the little black teapot.
"Oh, dear!" wailed the old lady, "you must not do this for me, lass;
you're heaping coals of fire on my 'ead, for, as Mrs. Wells often said
to me, 'Don't be so set on 'Orace; remember, you have a girl too.' I was
always set on the boys, and not on the girls; women's life is a poor
game, and when I heard of them 'eathen 'Indus who kill the girl babies,
I thought it a very sensible thing too--better than letting them grow up
to slave for a pittance. But it is you now who are the faithful one,"
and she drew Esther's face down to hers and kissed her fondly.
Tears rose in the daughter's eyes; she seemed to remember with a sense
of loss that her mother had never kissed her like that since she was a
little child, before Horace was born.
"TOO OLD AT FORTY"
I had no place to flee unto; and no man careth for my soul.
Public-domain text, read in full here on John Shaqi.
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