Working With the Working WomanParker, Cornelia Stratton
History
Working With the Working Woman
Parker, Cornelia Stratton
United States -- Social conditions; Women -- Employment -- United States; Working class -- United States
The table ahead, fingers flying like mad over the boxes, works Annie.
It is plain she will have sixty boxes done before I have one. Just
then a new girl from the line of that morning is put on the other side
of my table. She is very cold. She fares worse with brown paper cups
than I. Finally she puts down the patient piece of chocolate candy
and takes both hands to the job of separating one cup from the others.
She places what is left of the chocolate in the middle of what is left
of the paper, looks at me, and better than any ouija board I know what
is going on in her head. I smile at her, she smiles back, and she eats
that first chocolate. Tessie and I are friends for life.
Then we tackle the second union of chocolate and paper. Such is life.
Allah be praised, the second goes a shade less desperately than the
first, the third than the second, and in an hour chocolate and paper
get together without untoward damage to either. But the room stays
feeling warm. Anon a sensation begins to get mixed up with the hectic
efforts of fingers. Yes, yes—now it's clear what it is—feet! Is one
never to sit down again as long as one lives? Clumsy fingers—feet.
Feet—clumsy fingers. Finally you don't give a cent if you never learn
to pry those paper cups loose without wrenching your very soul in the
effort. If once before you die—just once—you can sit down! Till 12
and then after, 1 till 6. Help!
A bell rings. “All right, girls!” sings Ida down the line. Everyone
drops everything, and out into the warm main third floor we go. All
the world is feet. Somehow those same feet have to take their
possessor out to forage for food. Into a little dirty, crowded grocery
and delicatessen store we wedge ourselves, to stand, stand, stand,
until at last we face the wielder of a long knife. When in Rome do as
the Romans do. “A bologna and a ham sandwich and five cents' worth of
pickles.” Slabs of rye bread, no butter, large, generous slices of
sausage and ham which hang down curtainlike around the bread—twenty-one
cents. Feet take me back to the factory lunch room. At last I flop on
a chair. Sing songs to chairs; write poems to chairs; paint chairs!
Dear German Tessie, pal of the morning, she who ate more chocolates
than I and thus helped to sustain my moral courage—Tessie and I eat
bologna sausage sandwiches together and _sit_. The feet of Tessie are
very, very badly off—ach!—but they feel—they feel—jus' fierce—and
till six o'clock—“Oh, my Gawd!” says Tessie, in good English.
A gong sounds. Up we go to the ice box packing room. It sends the
shivers down our spines. But already there is a feeling of sauntering
in like an old hand at the game. What's your business in life? Packing
chocolates. The half-pound boxes get finished, wax paper on top,
covered, stacked, counted, put on the truck.
“Lena! Start the girl here in on 'assorteds.'”
Pert little Lena sidles up alongside and nudges me in the ribs.
“Say, got a fella?”
Public-domain text, read in full here on John Shaqi.
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