I saunter over to the elevator with a jam of colored girls—the majority of the girls in that factory were colored. I call out, “Third, please.” Oh, glory be! Why were we ever born? That elevator man turns around and pierces me with his eye as though I were the man with the Vandyke beard in the Subway, and he, the elevator man, were I. “_Third_ floor did ya say? And since when does the elevator lift ya to the _third_ floor? If ya want the sixth floor ya can ride. _Third_ floor! My Gawd! _Third_ floor!” And on and on he mutters and up and up I go, all the proud feelings of owning the world stripped from me—exposed before the multitudes as an ignoramus who didn't know any better than to ride in the elevator when she was bound only for the third floor. “_Third_ floor,” continues muttering the elevator man. At last there is no one left in the elevator but the muttering man and me. “Well,” I falter, chewing weakly on my Black Jack, “What shall I do, then?” “I'll leave ya off at the third this time, but don't ya try this trick again.” “Again? Goodness! You don't think I'd make this mistake twice, do you?” “_Twice?_” he bellows. “_Twice?_ Didn't I have this all out with ya yesterday mornin'?” “Goodness, no!” I try to assure him, but he is putting me off at third and calling after me: “Don't I know I did tell ya all this yesterday mornin'? And don't ya forget it next time, neither.” It must be awful to be that man's wife. But I love him compared to the Vandyke beard in the Subway reading _The Gospel According to St. John_. Everybody is squatting about on scant corners and ledges waiting for the eight o'clock bell. I squat next the thrifty Spanish lady, whereat she immediately begins telling me the story of her life. “You married?” she asks. No. “Well don' you do it,” says the fat and mussy Espaniole, as the girls called her. “I marry man—five years, all right. One morning I say, 'I go to church—you go too?' He say 'No, I stay home.' I go church. I come home. I fin' him got young girl there. I say, 'You clear out my house, you your young girl!' Out he go, she go. 'Bout one year 'go he say he come back. I say no you don'. He beg me, beg me come home. I say no, no, no. He write me letter, letter, letter. I say no, no, no. Bymby I say alright, you come live my house don't you _touch_ me, hear? Don' you _touch_ me. He live one room, I live one room. He no touch me. Two weeks 'go he die. Take all my money, put him in cemetery. I have buy me black waist, black skirt. I got no money more. I want move from that house—no want live that house no more—give me bad dreams. I got no money move. Got son thirteen. He t'ink me fool have man around like that. I no care. See he sen's letter, letter, letter. Now I got no money. I have work.” The bell rings. We shiver ourselves into the ice box.