Working With the Working WomanParker, Cornelia Stratton
History
Working With the Working Woman
Parker, Cornelia Stratton
United States -- Social conditions; Women -- Employment -- United States; Working class -- United States
Mame's friendship could become almost embarrassing. One day she
announced she wanted me to marry one of her brothers-in-law. “I got
two nice ones and we'll go out some Sunday afternoon and you can have
your pick. One's a piano tuner; the other's a detective.” I thought
offhand the piano tuner sounded a bit more domestic. He was swell,
Mame said.
Mame didn't think she'd stay long in the brassworks. It was all
right—the boss she thought was sort of stuck on her. Did he have a
wife? (The boss, at least sixty years old.) Also Charlie was making
eyes at her. (Charlie was French; so was Mame. Charlie knew six words
of English. Mame three words of French. Charlie was sixteen). No,
aside from matrimony, Mame was going to train in Bellevue Hospital and
earn sixty dollars a week being a children's nurse. She'd heard if you
got on the right side of a doctor it was easy, and already a doctor
was interested in getting Mame in.
And I've just walked off and left Mame.
* * * * *
Kicked the foot press 7,149 times by the meter to-day and expected to
die of weariness. Thumped, thumped, thumped without stopping. As with
candy, I got excited about going on piecework. Asked Miss Hibber what
the rates were for my job—four and a half cents for one hundred and
fifty. Since I had to kick twice for every cone top finished, that
would have meant around one dollar fifteen cents for the day. Vanished
the piece-rate enthusiasm. Tillie seemed the only girl on our floor
doing piecework. Tillie, who “was born there.” She was thin and stoop
shouldered, wore spectacles, and did her hair according to the
pompadour styles of some twenty years ago. The work ain't so bad.
Tillie don't mind it. There's just one thing in the world Tillie
wants. What's that? “A man!” Evidently Tillie has made no bones of her
desire. The men call back kindly to Tillie as she picks her way up the
dark stairs in the morning, “Hello there, sweetheart!” That week had
been a pretty good one for Tillie—she'd made sixteen dollars
forty-nine cents.
“Ain't much, p'raps, one way, but there's jus' this about it, it's
steady. They never lay anybody off here, and there's a lot. You hear
these girls 'round here talk about earnin' four, five, six dollars a
day. Mebbe they did, but why ain't they gettin' it now? 'Shop closed
down,' or, 'They laid us off.' That's it. Add it up over a year and my
sixteen forty-nine'll look big as their thirty dollars to forty
dollars a week, see if it don't.”
Tillie's old, fat, wheezy mother works on our floor—maybe Tillie
really was born there.
Public-domain text, read in full here on John Shaqi.
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