CXP placed primary emphasis on the production in a timely and cost-effective manner of printed facsimiles that consisted largely of black-and-white text. With binary scanning, large files may be compressed efficiently and in a lossless manner (i.e., no data is lost in the process of compressing [and decompressing] an image--the exact bit-representation is maintained) using Group 4 CCITT (i.e., the French acronym for International Consultative Committee for Telegraph and Telephone) compression. CXP was getting compression ratios of about forty to one. Gray-scale compression, which primarily uses JPEG, is much less economical and can represent a lossy compression (i.e., not lossless), so that as one compresses and decompresses, the illustration is subtly changed. While binary files produce a high-quality printed version, it appears 1) that other combinations of spatial resolution with gray and/or color hold great promise as well, and 2) that gray scale can represent a tremendous advantage for on-screen viewing. The quality associated with binary and gray scale also depends on the equipment used. For instance, binary scanning produces a much better copy on a binary printer. Among CXP's findings concerning the production of microfilm from digital files, KENNEY reported that the digital files for the same Reed lecture were used to produce sample film using an electron beam recorder. The resulting film was faithful to the image capture of the digital files, and while CXP felt that the text and image pages represented in the Reed lecture were superior to that of the light-lens film, the resolution readings for the 600 dpi were not as high as standard microfilming. KENNEY argued that the standards defined for light-lens technology are not totally transferable to a digital environment. Moreover, they are based on definition of quality for a preservation copy. Although making this case will prove to be a long, uphill struggle, CXP plans to continue to investigate the issue over the course of the next year. KENNEY concluded this portion of her talk with a discussion of the advantages of creating film: it can serve as a primary backup and as a preservation master to the digital file; it could then become the print or production master and service copies could be paper, film, optical disks, magnetic media, or on-screen display. Finally, KENNEY presented details re production: * Development and testing of a moderately-high resolution production scanning workstation represented a third goal of CXP; to date, 1,000 volumes have been scanned, or about 300,000 images. * The resulting digital files are stored and used to produce hard-copy replacements for the originals and additional prints on demand; although the initial costs are high, scanning technology offers an affordable means for reformatting brittle material.