World's End: A Story in Three BooksJefferies, Richard
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World's End: A Story in Three Books
Jefferies, Richard
England -- Fiction; Inheritance and succession -- Fiction; Murder -- Fiction
The morrow was brighter; there was a little sunshine, clouded and
feeble, but still there was a little. It would be difficult to explain
the process by which it came about. There are means of communication
between persons without direct words. Thus it happened that almost by a
species of volition, Agnes Lechester, Violet, and Aymer, before the
hour to depart arrived, walked slowly and mournfully to the old, old
church, across the meadows by the well-worn path, which the morning’s
frost had left hard and dry. Since that terrible day Violet had never
been—she could not. But now, somehow, with this newly-found companion,
strengthened by two loving hearts, one on either side, it seemed to her
as if a holy peace might perhaps descend upon her if she could visit
her father’s tomb.
With her face hidden by a thick veil, the tears standing in her eyes,
the poor girl walked between them. Few words passed—silence was more
natural and fitting than speech. They met two or three persons, all of
whom knew Violet and Aymer; but these paid the homage to sorrow which
the rudest tender, and went by silently, raising their hats. No one
interrupted them; no one stared with vulgar curiosity. These three were
alone—alone with the memory of the dead. And strangely enough, all
three were orphans. It was Agnes Lechester who reminded them of that
fact as they stood before the tomb; it was, she said in a low voice,
another bond of union between them.
The inscription had not yet been put up; the slab was plain. Their
visit was very short; it was more than Violet could bear. The tomb was
just without the church. Agnes motioned to Aymer to leave them; he
walked away a few paces. Together the two women entered the church;
they were alone in the sacred edifice. With slow steps poor Violet,
leaning on Agnes’s arm and sobbing bitterly, walked up that very aisle,
over that very figure of the ancient knight in brass, past the antique
font—the very aisle where she had gone in all her wedding splendour
amid the admiration of the gathered crowd. And now she came again—came
with a stranger—in silence and sorrow, to kneel on the steps that led
up to the chancel to pray as best her throbbing heart would permit. Was
that prayer more for the living, or the dead?
Violet had been reared a Protestant in the Articles of the Church of
England, yet I question whether in that supreme moment her soul was not
fuller of prayer for him who had gone before, than for herself and
those who still lingered on earth. Those among us who can remember
bitter hours of agony, say truly for whom have _they_ prayed? Let us
not penetrate further into the sanctuary of sorrow.
Public-domain text, read in full here on John Shaqi.
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