World's End: A Story in Three BooksJefferies, Richard
General
World's End: A Story in Three Books
Jefferies, Richard
England -- Fiction; Inheritance and succession -- Fiction; Murder -- Fiction
At last the _Stirmingham Daily News_ hit upon a good idea to
out-distance its great rival the _Stirmingham Daily Post_. This idea
was a “Life of Sternhold Baskette, the Miser of Stirmingham.” After,
the editor had considered a little, he struck out “miser,” and wrote
“capitalist”—it had a bigger sound.
The manuscript was carefully got up in secret by the able editor and
two of his staff, who watched Sternhold like detectives, and noted all
his peculiarities of physiognomy and manner. They knew—these able
editors know everything—that the public are particularly curious how
much salt and pepper their heroes use, what colour necktie they wear,
and so on. As the editor said, they wanted to make Sternhold the one
grand central figure—perfect, complete in every detail. And they did
it.
They traced his origin and pedigree—this last was not quite accurate,
but near enough. They devoted 150 pages to a mere catalogue of his
houses, his streets, his squares, club-houses, theatres, hotels,
railways, collieries, ironworks, nail factories, estates, country
mansions, etc. They wrote 200 pages of speculations as to the actual
value of this enormous property; and modestly put the total figure at
“something under twenty millions, and will be worth half as much again
in ten years.” They did not forget the building leases; when these fell
in, said the memoir, he or his heirs would have an income of 750,000
pounds per annum.
They carefully chronicled the fact that the capitalist had never
married, that he had no son or daughter, that he was growing old, or,
at least, past middle age, and had never been known to recognise any
one as his relation (having, in fact, shipped the whole family to
America). What a glorious thing this would be for some lucky fellow!
They finished up with a photograph of Sternhold himself. This was
difficult to obtain. He was a morose, retiring man—he had never, so far
as was known, had his portrait taken. It was quite certain that no
persuasion would induce him to sit for it. The able editor, however,
was not to be done. On some pretext or other Sternhold was got to the
office of the paper, and while he sat conversing with the editor, the
photographer “took him” through a hole made for the purpose in the
wooden partition between the editor’s and sub-editor’s room. As
Sternhold was quite unconscious, the portrait was really a very good
one. Suddenly the world was taken by storm with a “Life of Sternhold
Baskette, the Capitalist of Stirmingham. His enormous riches, pedigree,
etc, 500 pages, post octavo, illustrated, price 7 shillings 6 pence.”
Public-domain text, read in full here on John Shaqi.
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