"Lion-hunting," I hear my reader say with a sneer. That may be, but it makes society worth the candle, which it rarely is over here. I realized what I had often vaguely felt before, that the Bohemia the English lady was looking for was not to be found in this country, more's the pity. Not that the elements are lacking. Far from it, (for even more than in London should we be able to combine such a society), but perhaps from a misconception of the true idea of such a society, due probably to Henry Murger's dreary book _Scenes de la vie de Boheme_ which is chargeable with the fact that a circle of this kind evokes in the mind of most Americans visions of a scrubby, poorly-fed and less-washed community, a world they would hardly dare ask to their tables for fear of some embarrassing unconventionality of conduct or dress. Yet that can hardly be the reason, for even in Murger or Paul de Kock, at their worst, the hero is still a gentleman, and even when he borrows a friend's coat, it is to go to a great house and among people of rank. Besides, we are becoming too cosmopolitan, and wander too constantly over this little globe, not to have learned that the Bohemia of 1830 is as completely a thing of the past as a _grisette_ or a glyphisodon. It disappeared with Gavarni and the authors who described it. Although we have kept the word, its meaning has gradually changed until it has come to mean something difficult to define, a will-o'-the-wisp, which one tries vainly to grasp. With each decade it has put on a new form and changed its centre, the one definite fact being that it combines the better elements of several social layers. Drop in, if you are in Paris and know the way, at one of Madeleine Lemaire's informal evenings in her studio. There you may find the Prince de Ligne, chatting with Rejane or Coquelin; or Henri d'Orleans, just back from an expedition into Africa. A little further on, Saint-Saens will be running over the keys, preparing an accompaniment for one of Madame de Tredern's songs. The Princess Mathilde (that passionate lover of art) will surely be there, and--but it is needless to particularize. Cross the Channel, and get yourself asked to one of Irving's choice suppers after the play. You will find the bar, the stage, and the pulpit represented there, a "happy family" over which the "Prince" often presides, smoking cigar after cigar, until the tardy London daylight appears to break up the entertainment. For both are centres where the gifted and the travelled meet the great of the social world, on a footing of perfect equality, and where, if any prestige is accorded, it is that of brains. When you have seen these places and a dozen others like them, you will realize what the actor's wife had in her mind.