WORLDS of the IMPERIUM
By KEITH LAUMER
ACE BOOKS, INC.
23 West 47th Street, New York 36, N.Y.
Copyright, 1962, by Ace Books, Inc.
All Rights Reserved
Printed in U.S.A.
[Transcriber's Note: Extensive research did not uncover any
evidence that the U.S. copyright on this publication was renewed.]
DOUBLE TROUBLE FOR A DUPLICATE DICTATOR
For Brion Bayard, the discovery of an alternate world to Earth
where history took a different turn in the road was not a pleasant
experience. His kidnapping brought him some startling revelations.
Here was a world in which appeared identical doubles of famous
personages--including a dangerous and hated dictator named Brion Bayard!
His assignment seemed simple enough. Dressed as his double, Brion was
to enter the enemy stronghold, kill the dictator, and take his place
until law and order could be maintained.
But once having seen his mirror-image brother, Brion had as little
inclination to murder him as some other people had to let him live.
CAST OF CHARACTERS
Brion Bayard: How much of his double was himself?
Chief Inspector Bale: In alternate worlds, he still meant double
trouble.
Hermann Goering: The same name, the same body, yet not the same man.
Barbro Lundane: A Swedish lass with a sweetish air.
Gaston: In a second world, he still had but one life to give for the
cause.
Brion Bayard (2): His arch-enemy was his only friend.
Chapter 1
I stopped in front of a shop with a small wooden sign which hung from a
wrought-iron spear projecting from the weathered stone wall. On it the
word Antikvariat was lettered in spidery gold against dull black. The
sign creaked as it swung in the night wind. Below it a metal grating
covered a dusty window with a display of yellowed etchings, woodcuts,
and lithographs, and a faded mezzotint. Some of the buildings in the
pictures looked familiar, but here they stood in open fields, or
perched on hills overlooking a harbor crowded with sails. The ladies
in the pictures wore great bell-like skirts and bonnets with ribbons,
and carried tiny parasols, while dainty-footed horses pranced before
carriages in the background.
It wasn't the prints that interested me though, or even the heavy
gilt frame embracing a tarnished mirror at one side; it was the man
whose reflection I studied in the yellowed glass, a dark man wearing a
tightly-belted grey trench coat that was six inches too long. He stood
with his hands thrust deep in his pockets and stared into a darkened
window fifty feet from me.
He had been following me all day.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account