"Missed," he said. "Apparently his spatial maneuvering isn't as good as
his Net mobility. But he'll be back; he's after blood."
I had a thought. "Our maximum rate is controlled by the energy of
normal entropy, isn't it?" I asked.
He nodded.
"What about going slower," I said. "Maybe he'll over-shoot."
I could see the sweat start on the back of his neck from here.
"A bit risky in the Blight, sir," he said, "but we'll have a go at it."
I knew how hard that was for an operator to say. This young fellow had
had six years of intensive training, and not a day of it has passed
without a warning against any unnecessary control changes in the Blight.
The sound of the generators changed, the pitch of the whine descending
into the audible range, dropping lower.
"He's still with us, Colonel," the operator said.
The pitch fell lower. I didn't know what the critical point would be
reached when we would lose our artificial orientation and rotate into
normal entropy. We sat rigid, waiting. The sound dropped down, almost
baritone now. The operator tapped again and again at a key, glancing at
a dial.
The drive hum was a harsh droning now; we couldn't expect to go much
further without disaster. But then neither could the enemy.
"He's right with us, Colonel, only--" Suddenly the operator shouted.
"We lost him, Colonel! His controls aren't as good as ours in that
line, anyway; he dropped into identity."
I sank back, as the whine of our MC generator built up again. My palms
were wet. I wondered into which of the hells of the Blight they had
gone. But I had another problem to face in a few minutes. This was not
the time for shaken nerves.
"Good work, operator," I said at last. "How much longer?"
"About--good God--ten minutes, sir," he answered. "That little business
took longer than I thought."
I started a last minute check. My mouth was dry. Everything seemed to
be in place. I pressed the button on my communicator.
"Hello, Talisman," I said, "here is Wolfhound Red. How do you hear me?
Over."
"Wolfhound Red, Talisman here, you're coming in right and bright,
over." The tiny voice spoke almost in my ear from the speaker in a
button on my shoulder strap.
I liked the instant response; I felt a little less lonesome.
I looked at the trip mechanism for the escape door. I was to wait for
the operator to say, "Crash out," and hit the lever. I had exactly two
seconds then to pull my arm back and kick the slug-gun into my palm
before the seat would automatically dump me, standing, out the exit.
The shuttle would be gone before my feet hit the floor.
Public-domain text, read in full here on John Shaqi.
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