I stopped dead. I had to get rid of the fancy uniform. I pulled off the
jacket, then settled for tearing the braid off the wrists, and removing
the shoulder tabs. I couldn't ditch the lapel braid; my microphone was
woven into it. I couldn't do much else about my appearance.
This unused stair was probably as good a way out as any. I kept going.
I checked the door at each floor. They were all locked. That was a
good sign, I thought. The stair ended in a cul-de-sac filled with
barrels and mildewed paper cartons. I went back up to the next landing
and listened. Beyond the door there were loud voices and the clatter
of feet. I remembered that the entry to the stair was near the main
entrance to the old mansion. It looked like I was trapped.
I went down again, pulled one of the barrels aside. I peered behind it
at the wall. The edge of a door frame was visible. I maneuvered another
barrel out of place and found the knob. It was frozen. I wondered how
much noise I could make without being heard. Not much, I decided.
I needed something to pry with. The paper cartons looked like a
possibility; I tore the flaps loose on one and looked in. It was filled
with musty ledger books; no help.
The next was better. Old silverware, pots and pans. I dug out a heavy
cleaver and slipped it into the crack. The thing was as solid as a bank
vault. I tried again; it couldn't be that strong, but it didn't budge.
I stepped back. Maybe the only thing to do was forget caution and
chop through the middle. I leaned over to pick the best spot to swing
at--then jumped back flat against the wall, slug-gun in my hand. The
door knob was turning.
Chapter 8
I was close to panic; being cornered had that effect on me. I didn't
know what to do. I had plenty of instructions on how to handle the job
of taking over after I had succeeded in killing the dictator, but none
to cover retreat after failure.
There was a creak, and dust sifted down from the top of the door. I
stood as far back as I could get, waiting. I had an impulse to start
shooting, but restrained it. Wait and see.
The door edged open a crack. I really didn't like this; I was being
looked over, and could see nothing myself. At least I had the
appearance of being unarmed; the tiny gun was concealed in my hand. Or
was that an advantage? I couldn't decide.
I didn't like suspense. "All right," I said. "You're making a draft. In
or out." I spoke in the gutter Parisian I had heard upstairs.
The door opened farther, and a grimy-faced fellow was visible beyond
it. He blinked in the dim light, peered up the stairs. He gestured.
Public-domain text, read in full here on John Shaqi.
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