More interesting to me than anything that was said were the things
unspoken by Eileen and Brand. In spite of the girl’s easy way of
laughter, her quick wit, her avoidance, if possible, of any reference
to her own suffering, I seemed to see in her eyes and in her face the
strain of a long ordeal, some frightful adventure of life in which
she had taken great hazards--the people had told me she had risked
her life, often--and a woman’s courage which had been tested by that
experience and had not failed, though perhaps at breaking-point in the
worst hours. I supposed her age was twenty-six or so (I guessed it
right this side of a year), but there was already a streak of grey in
her dark hair, and her eyes, so smiling as a rule, looked as if they
had often wept. I think the presence of Brand was a great pleasure to
her--bringing to Lille a link with her childhood--and I saw that she
was studying the personality of this newly-found friend of hers, and
the strong character of his face, not unscathed by the touch of war,
with curious, penetrating interest. I felt in the way, and left them
together with a fair excuse--I had always work to do--and I was pleased
that I did so, they were so obviously glad to have a more intimate talk
about old friends and old times.
IX
I gained by my unselfishness (I did not want to go), for the Reverend
Mother met me in the corridor and stood talking to me about Eileen
O’Connor, and told me part of the girl’s story, which I found strange
in its drama, though she left out the scene of greatest interest, as I
heard later from Eileen herself.
Public-domain text, read in full here on John Shaqi.
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