Short stories, American; United States -- Social life and customs -- 19th century -- Fiction
Palm trees tossed their sprays over the fence toward the rutted sand of
the street. A little foolish fish-pond in the centre of the garden
emitted a sound of red-fins flipping, flipping. "No, mamma," said the
girl, "let Mr. Smith wait. I like the garden in the moonlight."
Her mother threw herself into that state of virtuous astonishment which
is the weapon of her kind. "Margharita!"
The girl evidently considered herself to be a privileged belle, for she
answered quite carelessly, "Oh, let him wait."
The mother threw abroad her arms with a semblance of great high-minded
suffering and withdrew. Margharita walked alone in the moonlit garden.
Also an electric light threw its shivering gleam over part of her
parade.
There was peace for a time. Then suddenly through the faint brown
palings was struck an envelope white and square. Margharita approached
this envelope with an indifferent stride. She hummed a silly air, she
bore herself casually, but there was something that made her grasp it
hard, a peculiar muscular exhibition, not discernible to indifferent
eyes. She did not clutch it, but she took it--simply took it in a way
that meant everything, and, to measure it by vision, it was a picture
of the most complete disregard.
She stood straight for a moment; then she drew from her bosom a
photograph and thrust it through the palings. She walked rapidly into
the house.
II
A man in garb of blue and white--something relating to what we call
bed-ticking--was seated in a curious little cupola on the top of a
Spanish blockhouse. The blockhouse sided a white military road that
curved away from the man's sight into a blur of trees. On all sides of
him were fields of tall grass, studded with palms and lined with fences
of barbed wire. The sun beat aslant through the trees and the man sped
his eyes deep into the dark tropical shadows that seemed velvet with
coolness. These tranquil vistas resembled painted scenery in a theatre,
and, moreover, a hot, heavy silence lay upon the land.
The soldier in the watching place leaned an unclean Mauser rifle in a
corner, and, reaching down, took a glowing coal on a bit of palm bark
handed up to him by a comrade. The men below were mainly asleep. The
sergeant in command drowsed near the open door, the arm above his head,
showing his long keen-angled chevrons attached carelessly with
safety-pins. The sentry lit his cigarette and puffed languorously.
Public-domain text, read in full here on John Shaqi.
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