When she stopped and wandered as if uncertain which way to talk, there was a minute of silence, which each of them had been educated to feel was very incorrect; very incorrect indeed. Polite people always babbled at each other like two brooks. He knew that the responsibility was upon him, and, although his mind was mainly upon the form of the proposal of marriage which he intended to make later, it was necessary that he should maintain his reputation as a well-bred man by saying something at once. It flashed upon him to ask: "Won't you please play?" But the time for the piano ruse was not yet; it was too early. So he said the first thing that came into his head: "Too bad about young Manolo Prat being killed over there in Cuba, wasn't it?" "Wasn't it a pity?" she answered. "They say his mother is heart-broken," he continued. "They're afraid she's goin' to die." "And wasn't it queer that we didn't hear about it for almost two months?" "Well, it's no use tryin' to git quick news from there." Presently they advanced to matters more personal, and she used upon him a series of star-like glances which rumpled him at once to squalid slavery. He gloated upon her, afraid, afraid, yet more avaricious than a thousand misers. She fully comprehended; she laughed and taunted him with her eyes. She impressed upon him that she was like a will-o'-the-wisp, beautiful beyond compare but impossible, almost impossible, at least very difficult; then again, suddenly, impossible--impossible--impossible. He was glum; he would never dare propose to this radiance; it was like asking to be pope. A moment later, there chimed into the room something that he knew to be a more tender note. The girl became dreamy as she looked at him; her voice lowered to a delicious intimacy of tone. He leaned forward; he was about to outpour his bully-ragged soul in fine words, when--presto--she was the most casual person he had ever laid eyes upon, and was asking him about the route of the proposed trolley line. But nothing short of a fire could stop him now. He grabbed her hand. "Margharita," he murmured gutturally, "I want you to marry me." She glared at him in the most perfect lie of astonishment. "What do you say?" He arose, and she thereupon arose also and fled back a step. He could only stammer out her name. And thus they stood, defying the principles of the dramatic art. "I love you," he said at last. "How--how do I know you really--truly love me?" she said, raising her eyes timorously to his face and this timorous glance, this one timorous glance, made him the superior person in an instant. He went forward as confident as a grenadier, and, taking both her hands, kissed her. That night she took a stained photograph from her dressing-table and holding it over the candle burned it to nothing, her red lips meanwhile parted with the intentness of her occupation. On the back of the photograph was written: "One lesson in English I will give you--this: I love you."