Woven with the Ship: A Novel of 1865: Together with certain other veracious tales of various sortsBrady, Cyrus Townsend
History
Woven with the Ship: A Novel of 1865: Together with certain other veracious tales of various sorts
Brady, Cyrus Townsend
Short stories, American; United States -- History -- Civil War, 1861-1865 -- Fiction; War stories
I could see that the keeping of that diary had become a passion with
her. She confessed herself to it as a devotee might to some spiritual
adviser. She poured out her heart on those pages which no living eye
but mine had ever seen, I verily believe. She was absolutely true;
entirely frank. The book was a self-revelation, all unconscious. I
could see the ennobling effect of that great passion. She grew greater
as I read on and on. A soul was laid bare in the written pages. I
seemed to be treading on hallowed ground as I tenderly turned the
faded leaves. No one could ever have spoken aloud as she wrote. It's
not in nature to do so. It was her secret heart, her most sacred
feelings, her inmost soul that lived and vibrated in the silent
letters. I seemed to be looking upon things not meant for mortal eyes.
And through it all there was a note of depreciation. Was she, could
she, be worthy of him? Oh, the sweetness of the humility of a mother!
But I cannot linger to tell all the story, all I read, all I divined.
At last came the entries of the present year. When he had gone away
she had sworn she would be brave. He was a soldier, he must do his
duty and uphold the honored name of his father; but, oh, the anxiety
of it all! I could see that it had almost killed her; yet she had kept
up under the dreadful strain until the news of his death came.
I am not ashamed to say that I put the book down and cried like a baby
when I read what she had written. Broken-hearted sentences, bits of
prayer, words of Scripture, "Oh, Absalom, my son, my son!" Tears on
the pages. The leaves were alive with her words. As I said, they spoke
as no human voice could have spoken. They told a tale which humanity
could not have revealed. And her heart was broken.
Then came the entry on the day when I had told her she was doomed. The
subdued joy with which she heard the news, with which she looked
forward to the prospect of a speedy meeting, was quite evident. One
phrase struck me on that page:
"The work of years is over; I lay down the pen," she had written.
"Sonny Boy"--she never failed to use that title; she clung to it
the more tenaciously as he grew older; it seemed very sweet to
me--"is gone and I am going, thank God! In death as in life we
will be together. 'The book may close over' and be opened no more.
He cannot return to me, but I shall go to him. I shall write no
more. I have left directions that this story of a life--or two
lives, his and mine--shall be burned when I am gone to meet Sonny
Boy."
Public-domain text, read in full here on John Shaqi.
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