And so the young man listens and loves, the old man listens and dreams, and the girl sings as never before, for this time she knows that a young heart beats in harmony with her voice. Alas for the old! he has had his day. Compelling youth enters and displaces him. Emily sings not merely for the past, but with thoughts reaching out into the future. When she stops, fain to be persuaded, Revere entreats her to continue, he begs for more. She knows not how to refuse, indeed does not wish to do so, so she sings on and on. The admiral sleeps, but what of that? Youth listens, and by and by, as she strikes something that he knows, in a fresh, hearty tenor voice he ventures to join with her. In the harmony of their voices they almost see a prophecy of the future harmony of their lives. Many a time has she sung to the admiral and the old sailor, but never quite as to-night. And Captain Barry has not been there. The heavy oaken chair, which he made himself from the timbers of the ship, which stands by the door, and which, in its rude strength, its severe plainness, somehow suggests the man, is empty. To the admiral she has sung like a voice from the past, to Barry her music has been like that of an angel in heaven, to Revere it is the voice of the woman he loves. But to-night, although he hears the music, Captain Barry will not come in. He stands on the porch, peering through the blinds. Unskilled as he is in the reading of character, unaccustomed to the observation of faces, there is no mistaking, even in the sailor's mind, the look in the eyes of Revere. The young man sits opposite Emily, listening to her, watching her, drinking in the sweetness of the melody and the beauty of her face; the light that is in his eye is the light of a love that has come, not as the oak grows from the tiny seed, slowly developing through the ages, and spreading and bourgeoning until it fills the landscape, but the glory of a passion that has burst upon him with the suddenness of a tempest, and one that promises to be as irresistible in its onset. And Barry sees it all, divines, knows, feels, and in the light of another love recognizes at last his own futile passion. The revelation of hopelessness in the light of hope, of despair in the glow of success. Never had the Bostonian been brought in contact with a personality quite like that of Emily. More beautiful girls, measured by the canons, he had seen, possibly; wiser in the world's ways, better trained, more accustomed to the usages of society, undoubtedly; but never one so sweet, so innocent, so fresh, so unspoiled, so lovely, and so lovable. As frank as she was beautiful, as brave as she was innocent, as pure as she was strong. There was no use denying it; he could not disguise it; he had loved her from the moment when, standing on the wreck, he saw her steering the skiff in the storm, with her fair hair blown out by the breeze and her face turned up toward him, full of encouragement and entreaty.