The boy was right. Where the white blind fluttered was the dominie's
bedroom, and there the dominie lay dying. A gaunt, square, ugly 'room
with panelled walls, on which the paint had cracked and rubbed and
blistered, with such furniture as it possessed old-fashioned,
lumbering, and mean, with evidence of poverty everywhere--evidence of
poverty which a woman's hand had evidently tried to screen and soften
without much effect. The bed, its well-worn red-moreen curtains, with
a dirty yellow border, having been tightly bound round each sculptured
post for the admittance of air, stood near the window, on which its
occupant frequently turned his glazed and sunken eyes. The sun had
gone to rest, the invalid had marked its sinking, and so had those who
watched him, and the same thought had occurred to all, but not a word
had been spoken; but the roseate flush which it leaves behind still
lingered in the heavens, and, as if in mockery, lent momentarily to
the dying man's cheek a bright healthy hue such as it was not destined
to wear in life again. The flush grew fainter, and faded away, and
then a glance at the face, robbed of its artificial glory, must have
been conclusive as to the inevitable result. For the cheeks were
hollow and sunken, yellowish-white in colour, and cold and clammy to
the touch; the eyes, with scarcely any fire left in them, seemed set
in large bistre rings; the nose was thin and pinched, and the
bloodless lips were tightly compressed with an expression of acute
pain.
Public-domain text, read in full here on John Shaqi.
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