Wyllard's Weird: A NovelBraddon, M. E. (Mary Elizabeth)
General
Wyllard's Weird: A Novel
Braddon, M. E. (Mary Elizabeth)
Murder -- Fiction; Mystery and detective stories
"I hope you won't be horrified when you hear that the Tillets live over
a shop," said Mdlle. Duprez, as she and Hilda were walking down the Rue
de Grenelle on their way to the Rue du Bac. "It is only a quiet little
glover's shop, but I thought the idea might shock you."
"I am not at all shocked. I should not be, even, if Mdme. Tillet kept
the shop," answered Hilda, smiling her faint sweet smile, which told of
a gentle nature and a heart in pain.
They came to the glover's shop presently, a very obscure little shop in
a street where there are many big shops; shops of renown, even, like
the Petit Saint-Thomas, and the Bon Marché, the Whiteley of Paris.
There was a private door beside the glover's. A narrow passage and a
dark staircase conducted to the abode of the Tillets, which was on the
second floor, and the approach to which echoed with sonorous laughter
and manly voices, with an admixture of girlish treble.
"The children are all at home," said Mdlle. Duprez, who had been
accustomed to hear Mdme. Tillet talk of her bearded and well-grown
brood as "mes enfants."
Hilda found herself presently in the bosom of the family, being
embraced by Mdme. Tillet, who was a stout, comfortable-looking matron
in a gray cashmere gown and black mittens. The family sitting-room was
a spacious apartment, with piano, book-cases, easels, drawing-tables,
work-tables, all the means of various kinds of study and art; and it
seemed overflowing with human life. Half-buried in an armchair by
the hearth reclined the father; the three sons, Adolphe, Victor, and
Frédéric, were seated at different tables, each with his particular
lamp; and the two daughters sat on each side of a large work-basket,
stitching industriously at a new gown which they were making together.
"Welcome, my sweet young friend," said Mdme. Tillet, and then proceeded
to introduce her children.
Public-domain text, read in full here on John Shaqi.
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